Been playing with a new lens – and so far I’ve been very impressed and it’s made me reconsider my camera system. I’ll put up a full report in the next week or two. Here are a couple of photos to whet your appetite.


Back lit bully. Frida modelling for a lens test.


Bully blast off! Frida helping test the auto focus capabilities of a new lens.


Both shots were taken with the Canon 6d, which continues to amaze me with its picture quality, and converted to monochrome in AlienSkin’s Exposure 4.

The Near East

At a bit of a loose end we decided to go out on the Goldfields Road to Tammin. The town’s sole raison d’être is the transportation of the surrounding areas grain crops. The grain bins and railway siding around which the town is built are the key features of the town. With the increasing industrialisation of modern agriculture farms have got bigger and bigger and employ less and less people so like many rural areas although generating a lot of wealth the town is in decline.


Derelict by Paul Amyes on 500px.com
Abandoned farmhouse on the Goldfields Road in Western Australia. Olympus Pen EP-5 with Olympus 12-50mm f3.5-6.3 lens. Exposure: 1/640 sec, f5.6 at ISO 200. Converted to monochrome in AlienSkin Exposure 4.

When I first got interested in photography I was living in the South East of England which is a very verdant and prosperous region. Naturally the first photographers who caught my eye were British ones like David Bailey, Snowdon, Patrick Litchfield and Terrance Donovan.As I went on I discovered more socially aware photographers such as Chris Killip, Graham Smith and Don McCullin. I  remember going to see Killip and Smith’s exhibition “Another Country” in 1985 and being absolutely blown away by the subject matter and the quality of the work – it was one of transcendent experiences and it altered my perception of what photography could be dramatically. It was quite a while before I turned my attention to non British photographers. When I first saw the work of Walker Evans, Robert Frank, Joel Sternfeld, Stephen Shore, and Robert Adams I couldn’t really relate to the subject matter. Their vision and representation of the USA was one that was completely foreign to me and outside that which the mainstream media presented. It wasn’t until I migrated to Australia and started to explore the rural areas seldom visited by tourists that the penny finally dropped. I started to see similar scenes and over time I have attempted to capture them. I’m never quite sure whether it should be in black and white or colour so I find myself fluctuating between the two mediums and never quite happy with the results.


Tamin by Paul Amyes on 500px.com
Tammin grain bins and railway station. Olympus Pen EP-5 with Olympus 12-50mm f3.5-6.3 lens. Exposure: 1/800 sec, f5.6 at ISO 200. Converted to monochrome in AlienSkin Exposure 4.

Which brings us to the photos in this post. They are just a small sample of the photos that I took on our road trip to Tammin. At first I processed them as colour and felt that the colour detracted from the starkness that I saw and felt. I then tried monochrome. When I worked in the darkroom I liked to use Ilford Multigrade  FB warm tone glossy paper and that is a look I try to replicate with my digital images albeit without much success. When Ilford’s digital media arm Harman Technology introduced their warm tone gloss baryta inkjet paper I thought that my prayers had been answered and I used it for a couple of exhibitions I did. It was a sad day when it was discontinued – I still have 5 sheets of A3+, not enough to do any proper work. So now I try to replicate the look in AlienSkin Exposure 4 which is what I have done with these photos. The problem is that while it looks OK on screen when you translate it to printed media it does work as it is not subtle enough. Perhaps the photos should have stayed in colour after all.


Closed by Paul Amyes on 500px.com
Empty shop front in Tammin, Western Australia. Olympus Pen EP-5 with Olympus 12-50mm f3.5-6.3 lens. Exposure: 1/100 sec, f5.6 at ISO 200. Converted to monochrome in AlienSkin Exposure 4.


Killing Time

I had to attend an appointment at RPH the other day. It usually presents a dilemma. Most of the clinics operate in the afternoon and pretty much always run behind schedule by anything up to two hours. If drive down to Perth from York then I’m faced with paying parking fees for which I’ll have to take out a mortgage. If I choose to do the public transport option then it’s a case of leaving early so as to get parking at the train station which means that I’ll have hours to kill. Invariably I take the train and wander the streets of Perth taking photos. That’s where virtually all the photos of Perth come from that I post on this blog. I have no set route and I just follow my nose. It’s amazing that after over thirty years of walking around the Perth CBD that I still find places that I’ve not seen before. Anyway this is the latest selection.


#13 by Paul Amyes on 500px.com
#13. Graffiti in an alley just off Murray Street in Perth, Western Australia.


Digital Tower by Paul Amyes on 500px.com
The Digital Tower, in Yagan Square, Perth


Waterline by Paul Amyes on 500px.com
“Waterline” by Western Australian artist Jon Tarry, ‘Waterline’ is a series of water experiences sculpted in Western Australian granite running through Yagan Square. Perth, Western Australia


Warning by Paul Amyes on 500px.com
Warning. Graffiti in McLean Lane, Perth, Western Australia.


No Stopping by Paul Amyes on 500px.com
No Stopping, McLean Lane, Perth, Western Australia.


Lamp Shades by Paul Amyes on 500px.com
Lamp Shades, McLean Lane, Perth, Western Australia.


All the photos were taken using a Sony A7r with Sony FE 28mm F/2 Wide Angle Lens and processed in Alienskin Exposure 4 using one of the “Cinematic” presets.


Warning by Paul Amyes on 500px.com
Warning Bull Terrier on guard duty! York, Western Australia. Sony A7r with Sony FE 50mm f/1.8 lens. Exposure: 1/800, f4 at ISO 200.

I’ve had a tremendous change in my workflow of late. Initially when I trained in photography at college we taught to do all our processing in Adobe Photoshop. I think version 4 was the then current one. By the time I started lecturing in photography at the same college things had moved on considerably. Photoshop was no longer the main emphasis, although still taught. The new kid on the block was Lightroom and that is what we focused on. It provided important digital asset management (DAM) as well as allowed a certain amount of non destructive photo processing. Over time its features became more powerful and I rarely opened up Photoshop. Of late I have become dissatisfied with Adobe. One of the main things that started this malaise was Adobe shift away from  perpetual licences to “rent ware” or monthly subscriptions. Initially I went along with this, but it seemed that there were a lot of bugs in the software and I spent a lot of time on the phone to Adobe trying to fix niggling little problems. It was almost as if now because they had a cannula into our wallets there was no incentive to do any quality control on their products. So I stopped my subscription and went back to using Lightroom 6 and Photoshop CS5 vowing to find an alternative to Adobe products. Well I’ve now settled on one!!! It is Alienskin Exposure. I’ve just upgraded to version 4 and am really happy with it. The above photo was processed using Exposure and I’m now using it every day. In fact the photos I’ve submitted for my latest book were all processed with it as well. If you’re in the market for new photo processing software what not give it a burl.