Lake Claremont

 

Originally what is now Lake Claremont was a swamp with a series of small pools edged with reeds and then surrounded by paperbark trees. There was abundant plant an animal life and it was an important hunting and gathering place for the Mooro clan of the Nyoongar in the warmer months of the year.

 

Lake Claremont by Paul Amyes on 500px.com
The bird observation platform allows visitors to watch the birds in the grasses and reeds at Lake Claremont.

 

In 1831 European settlers began to clear the land for farming and by the 1890’s there were market gardens and a then state of the art dairy farm. Things looked good and the area prospered. However, this state of affairs was short lived as by the turn of the Twentieth Century the water level rose and the farms were flooded and a permanent lake which rises and falls with the seasons was formed. In the 1950’s Claremont Town Council reclaimed large areas for a rubbish tip and renamed it Lake Claremont in the process. In the 1960’s it was decided to beautify the lake and its surrounds. Sections were infilled to create a golf course and the school playing fields. In time two small bird sanctuary islands were created and there has been a move to manage the the lake in a more ecological manner. The Friends of Lake Claremont are an enthusiastic and very active bunch of local residents and volunteers who have undertaken to assist in the conservation and enhancement of Lake Claremont. There activities have been crucial in weed eradication programs and revegetation projects working in tandem with pupils from  Scotch College and Graylands Primary School. They also have annual public events including Clean Up Australia Day, National Tree Day and Celebrate Lake Claremont Day (community fair). More details can be found on their website.

 

Lake Claremont by Paul Amyes on 500px.com
The infamous Lake Claremont crocodile. Lake Claremont, Western Australia.

So that was then and this is now. What does the lake offer today? Well the wetlands of the Swan Coastal Plain are internationally acknowledged as a bio-diversity hotspot having a greater number of endemic species than most other regions in Australia. Since colonisation three quarters of the wetlands have been drained for urban development. Those that remain are adversely effected by the introduction of feral animals and plants. In this context Lake Claremont is like a biosphere. In the past ten years or so eBird Australia has listed 116 species of bird that can be found on or around the lake which makes it somewhat of a birders paradise. The path around the lake and the bird observation platform make it easy to spot birds all year round. To make it so that you know what you are looking for you can down load an illustrated brochure listing the birds from the Town of Claremont website.

 

Lake Claremont by Paul Amyes on 500px.com
Lake Claremont has a dual use path around its edge which is popular with runners and cyclists.

In addition to the nature based activities there is a 3 Km dual use path that circumnavigates the lake which is very popular with walkers, runners and cyclists. Dogs are welcome on a lead. The walk is enjoyable all year round and if you start the car park and head off in a clockwise direction then you can stop at the TeeBox Cafe shortly before returning to the car park. For the youngsters who need to burn off some energy before looking at the ducks there are two playgrounds. If dad doesn’t care for looking at the ducks then he has the option of playing a quick nine holes of golf.

 

Dit by Paul Amyes on 500px.com
A juvenile pied stilt (Himantopus himantopus) at Lake Claremont, Western Australia.

 

Marli by Paul Amyes on 500px.com
A black swan (black ) gathering nesting material at Lake Claremont, Western Australia.

 

Bardoongooba by Paul Amyes on 500px.com
A pair of Australian Shovelers (Australian) at Lake Claremont, Western Australia.

 

Kalyong by Paul Amyes on 500px.com
A pair of grey teals (Anas gracilis) at Lake Claremont in Western Australia.

 

Kwilom by Paul Amyes on 500px.com
A purple swamp hen (Purple), Lake Claremont, Western Australia.

 

Rainbow Lorikeet by Paul Amyes on 500px.com
Rainbow lorikeets (Rain) were introduced to Western Australiafrom the eastern states of Australia. Lake Claremont, Western Australia.

 

Wimbin by Paul Amyes on 500px.com
Pink-eared ducks (Malacorhynchus membranaceus) at Lake Claremont in Western Australia.

 

Dit by Paul Amyes on 500px.com
Called Dit by the Nyoongar this juvenile pied stilt (Himantopus himantopus) feeds at Lake Claremont, Western Australia.

 

Bardoongooba by Paul Amyes on 500px.com
Bardoongooba called Australian Shovelers (Anas rhynchotis) by European settlers can be readily seen on Lake Claremont.

 

Busy Little Bees….

…. er that should read busy rainbow bee eaters.

Rainbow Bee Eaters (Merops ornatus) catching insects and taking them to their chicks in their burrows.

 

Walking down by the Avon this morning there was a lot of commotion. A steady “prrrp-prrrp” sound followed by a flash of bright colour. Scanning the trees I found what I was looking for in the branches of a big old dead gum tree. A male rainbow bee eater bashing a large insect on the branch till it was dead so it could take it to its young brood. On further inspection I noticed that there was a holding pattern going on with mum and dad taking it in turns to take food to their ever demanding young.

 

Mum taking off to make the delivery while dad waits patiently to be cleared for take off.

 

A further shufti and I find the burrow and settle myself in to watch the parents fly in the food supplies. It was non stop, no let up at all. First off we see dad make a trip.

 

Rainbow Bee Eaters (Merops ornatus) catching insects and taking them to their chicks in their burrows.

 

Rainbow Bee Eaters (Merops ornatus) catching insects and taking them to their chicks in their burrows.

 

Rainbow Bee Eaters (Merops ornatus) catching insects and taking them to their chicks in their burrows.

 

Rainbow Bee Eaters (Merops ornatus) catching insects and taking them to their chicks in their burrows.

 

Rainbow Bee Eaters (Merops ornatus) catching insects and taking them to their chicks in their burrows.

 

Rainbow Bee Eaters (Merops ornatus) catching insects and taking them to their chicks in their burrows.

 

Rainbow Bee Eaters (Merops ornatus) catching insects and taking them to their chicks in their burrows.

 

As soon as he is clear it’s mum turn.

 

Rainbow Bee Eaters (Merops ornatus) catching insects and taking them to their chicks in their burrows.

 

Rainbow Bee Eaters (Merops ornatus) catching insects and taking them to their chicks in their burrows.

 

Rainbow Bee Eaters (Merops ornatus) catching insects and taking them to their chicks in their burrows.

 

Rainbow Bee Eaters (Merops ornatus) catching insects and taking them to their chicks in their burrows.

 

Rainbow Bee Eaters (Merops ornatus) catching insects and taking them to their chicks in their burrows.

 

Rainbow Bee Eaters (Merops ornatus) catching insects and taking them to their chicks in their burrows.

 

Rainbow Bee Eaters (Merops ornatus) catching insects and taking them to their chicks in their burrows.

 

All pictures taken with a Panasonic Lumix G85 with Panasonic Leica Vario Elmar 100-400mm f4-6.3 lens.

 

Below is a short video clip containing footage of the birds and some more stills.

 

What A Whopper!

The Sigma 150-600mm f5-6.3 DG OS Contemporary lens is part of Sigma’s Global Vision line of lenses. It offers an inexpensive way of getting into wildlife photography.

 

Not so long ago I looked at the the Panasonic Leica DG Vario-Elmar 100-400 f4-6.3 ASPH Power OIS lens for micro four thirds, well today I’m looking at an alternative lens for APS and full frame cameras – the Sigma 150-600mm f5-6.3 DG OS Contemporary lens. Now confusingly Sigma make two versions of the 150-600 and they are labelled the Sport and Contemporary. The-Digital-Picture.com has put up a good article explaining the difference between the two. The main ones are price and weight with the Contemporary being a 1Kg lighter and $1200 AUD cheaper. This is quite a significant difference and I for one prefer a lighter lens and a heavier wallet. The Contemporary is part of Sigma’s Global Vision line of lenses and is thus compatible with the Sigma TC-1401 1.4x Teleconverter which allows auto focus to work to a maximum of f8 while wide open if your camera supports this feature. This is an interesting option as it allows a reach of 860mm on full frame and a humongous 1376mm on an APSC sensor which is impressive reach for a lens and converter costing less than $2000 AUD. I didn’t happen to look at this option because none of my Canon DSLRs allow f8 auto focusing. shuttermuse.com has an article on f8 focusing with extenders or teleconverters and a list of compatible Canon DSLRs. This does not apply to the mirrorless R and RP which have f11 auto focusing.

 

Lens mounts available Canon EF

Nikon F

Sigma SA

Focal length 150-600mm
Angle of view 4.1° – 16.4°
Aperture range f5/6.3 to f22/27
Filter size 95mm
Minimum focusing distance 2.8 metres
Maximum magnification 1:4.9
Focusing Silent HSM with internal focusing and manual override
Aperture blades 9
Lens construction 20 elements in 14 groups with 1 FLD and 3 SLD elements
Image stabilisation Yes – 3 stops equivalent
Length 26cm
Diameter 10.5cm
Weight 1.93Kg without lens hood and tripod collar.

 

 

Fully extended to the 600mm focal length the lens is a beast. There is no sign of any wobble in the zoom extension.

Physically this is a large lens, it stands head and shoulders above my Canon 70-200mm f2.8 IS L lens which in itself quite a large lens. The 150-600 is also 500g heavier. At 2.1 Kg with lens hood and tripod collar attached it definitely has heft to it. Interestingly Sigma refer to it as a lightweight lens, I suppose it’s all a matter of perspective as the Panasonic Leica 100-400 is 0.985 Kg so the Sigma feels gargantuan compared to it while the Canon EF 600 mm f4L IS is over 3Kg so the Sigma then seems svelte and compact. The lens body is made out of what Sigma calls a Thermally Stable Composite (TSC) which is substantially stronger than conventional polycarbonates while having similar thermal expansion properties to aluminium. The lens mount is made of chromium plated brass which should ensure a long life. All in all it feels a well made and rugged lens, it may feel like plastic but the TSC body feels substantial and gives the impression of being very durable with no creaking or flexing. The Sigma 150-600 is advertised as being dust and splash proof but on closer reading of Sigma’s spec sheet there is only one seal and that is at the lens mount. If you want better then you’ll have to spring for the Sports version.

 

The Canon EF lens mount is made of chromium plated brass.

When looking at the lens from the front there is a large ribbed rubber zoom ring that has a long throw of about 160º. The action is smooth and feels not too tight nor too loose. As you rotate the zoom ring the lens barrel extends by 8cm. The extension feels secure with no slop or wobble. Just behind the zoom ring on the lefthand side is a zoom lock switch which can lock the zoom ring at the 150mm focal length to prevent zoom creep while carrying the lens. The focusing ring is narrow ribbed rubber and allows you to manually adjust focus while the lens is in the autofocus mode. There are no hard stops which might concern you if you were to use the lens for video. Behind the focusing ring is a panel of four switches and they are:

  • An AF switch allowing to choose between AF, MF and MO (Manual Override)
  • A focus limiter switch allowing a choice of full range, 10m to ∞, and 2.8 to 10m.
  • An optical stabilisation switch that gives a choice of off, on and a panning mode.
  • A custom switch that allows you to select two custom modes that can be programmed using the Sigma FD-11 USB Dock

 

There are three switches on the lens barrel. One fotr focus modes, the second a focus limiter and the third is for the optical stabilisation.

 

The focus distance scale is behind a window just below the the focus ring.

Above the switches is a window showing the focusing scale and then behind that is the lens collar. The lens collar allows you to turn the camera from horizontal to vertical while mounted on a tripod, but, unfortunately there are no detents to allow you to do this while looking through the viewfinder of the camera, you have to align the marks on the collar with those on the lens body. The tripod collar can be detached and thoughtfully Sigma provide a cosmetic rubber ring to slide over the lugs that hold the collar in place. The lens comes with a large plastic lens hood the size of a flower pot, it seems sturdy enough and bayonets into place and a nice touch  is that is ribbed internally to prevent reflections. The 150-600 has a 95mm filter thread which means filters will be expensive and potentially hard to get. In terms of accessories Sigma provide a nice well padded lens case, a shoulder strap for it and a Sigma branded camera strap. Like all Sigma lenses you get a lot for the money you spend. Nice one Sigma!

The 150-600 has a 95mm filter thread which means filters will be the size of dinner plates, be expensive and potentially hard to get.

I tested the lens on a Canon EOS 6d and an EOS 550d to see how it would perform on both crop and full frame cameras. In terms of AF performance as neither of those cameras have what can be considered state of the art AF systems, in fact it is over twelve years old, the lens did very well. The single point AF using the centre point was fast and precise and well capable of fixing on small birds amongst foliage. In terms of continuous AF on the EOS 550d the camera was the limitation being only able to shoot 6 frame bursts in RAW, but out of my six shots when tracking my dog trotting five of the six would be in focus. The 6d is able to shoot 4.5 frames per second for 15 frames and on the trotting bull terrier test it managed 12 frames in focus.

 

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When it came to BIF (birds in flight not fisticuffs) the AF was more than capable of focusing on and tracking medium to large birds. It really struggled with small birds especially swallows. Put it on a better camera and I’m sure you’d get better results.

 

Australian White Ibis, by Paul Amyes on 500px.com
Australian white ibis, Threskiornis molucca, Herdsman Lake, Western Australia.

 

My primary use for a lens like this is handheld bird photography, and as such I didn’t really give the image stabilisation a workout as I seldom use a shutter speed below 1/500 sec. But messing around at home in the house and garden I figured it was good for three stops. Mind you I do have steady hands so your experience may differ from mine.

 

 

The optical construction of the lens is twenty elements in fourteen groups with 1 FLD and 3 SLD elements. The FLD (“F” Low Dispersion) glass element, which offers performance equivalent to fluorite.  Canon and other manufacturers have used synthetically grown crystals of calcium fluoride components in lenses to aid apochromatic design, and to reduce light dispersion so lenses made from it exhibit less chromatic aberration. What Sigma has done is use newer glasses and computer-aided design to render the use of fluorite crystals unnecessary. Sigma claim that the FLD element is “highly transparent, its refractive index and dispersion are extremely low as compared to conventional types of glass. It offers characteristics very similar to those of fluorite, which is valued for its anomalous dispersion. These characteristics minimize residual chromatic aberration (secondary spectrum), which cannot be corrected by ordinary optical glass, while helping to produce sharp, high-contrast images.” (https://sigmaphoto.com.au). The three SLD (Special Low Dispersion) glass elements also help to minimize chromatic aberration. To help achieve attractive out of focus transitions there are nine rounded aperture blades which should help achieve nice round bokeh balls when shooting specular highlights.

 

 

In terms of optical performance well I’ll deal with full frame and crop separately. First up using the lens on the crop framed 550d. At 150mm the centre of the lens wide open was sharp and contrasty and stayed A as such until f22 when it softened due to the effects of diffraction. At the edges the peak performance was attained at f11 and remained until f22 when it softened again. At 600mm the centre wide open was a little soft and lacking in contrast. This improved by f8 and then deteriorated at f22. The edges weren’t so good – wide open they were soft and lacking contrast and remained so until f22 when they got worse. As for vignetting well at the short end wide open it was apparent, about 1/2 to 1 stop and this disappeared by f8. It was the same story at the long end. Throughout the focal range there is slight pin cushion distortion and some chromatic aberration can also be seen. Open the files up in Lightroom and apply the lens profile and things improve nicely. On the full frame 6d the story is the same except for the vignetting which is naturally worse at around 1-1 1/2 stops which is totally understandable as you are using the whole frame rather than just the central part of the lens coverage.

 

100 % crop from the centre of a New Holland Honeyeater to show how detail is rendered by the Sigma 150-600mm f5-6.3 Contemporary lens.

 

What’s all this mean in real life. Well if we look at the image for the New Holland Honeyeater which I took at a distance of around 3.5 to 4 metres and then enlarge the section around the head you can see that there is nice feather detail and that the eye is sharper than a very sharp thing. To get much better you’d have to spend an awful lot of money and if we look at the Canon 600mm f4 lens I mentioned earlier that has an eye watering price of $18,500 AUD which is over 11 times the cost of the Sigma. Personally I know that if I plonked $18 K down on a lens I’d be heading for the divorce court which would make the Canon a doubly expensive lens. So for what it costs the Sigma is amazing value.

Below are some examples of bird photography shot with the lens on both a Canon EOS 6d and 550d.

 

Welcome Swallow by Paul Amyes on 500px.com
Welcome Swallow, Hirundo neoxxena, Herdsman Lake, Western Australia. Canon 6d with Sigma 150-600mm Contemporary. Exposure: 1/500 sec, f7.1 at ISO 250.

 

Red Capped Robin, by Paul Amyes on 500px.com
Red capped robin, Petroica goodenovi, Avon Walk Trail, York, Western Australia. Canon 550d with Sigma 150-600mm Contemporary lens. Exposure: 1/500, f6.3 at ISO 160.

 

Chestnut-rumped Thornbill by Paul Amyes on 500px.com
Chestnut-rumped Thornbill (Acanthiza uropygialis), York, Western Australia. canon 550d with Sigma 150-600mm Contemporary lens. Exposure: 1/1000 sec, f6.3 at ISO 320.

 

Mistletoebird, by Paul Amyes on 500px.com
Mistletoebird, Dicaeum hirundinaceum. The Nyoongar name is Minnijit. York, Western Australia. Canon 6d with Sigma 150-600mm Contemporary lens. Exposure: 1/1000 sec, f8 at ISO 1600.

So would I recommend the lens? Yes without hesitation. It performs very well and is sold at a very good price and you can’t argue with that.

Bibra Lake Bird Walk

 

South of the Swan River is a string of lakes known as the Beeliar Wetlands which are a chain of twenty six lakes stretching from Manning Lake in Hamilton Hill to Madura Swamp near Mandurah Wetlands. Nineteen of those lakes and associated wetlands have been incorporated into the Beeliar Regional Park. This extensive belt of wetlands that has been widely acknowledged as a biodiversity hot-spot having a greater number of endemic species than most other regions in Australia. Within this the Nyoongar with their hunter-gatherer life-style managed the land with their fire-stick farming and survived by hunting and trapping a variety of game, including kangaroos, possums and wallabies; by fishing using spears and fish traps; as well as by gathering an extensive range of edible wild plants, including wattle seeds.  Since colonisation three-quarters of these wetlands have been drained for urban development. What remains has suffered untold damage through the introduction of feral animals and plants. Thankfully Australia is a signatory of the Ramsar Convention and several key wetlands on the Swan Coastal Plain have been set aside for conservation. Bibra Lake is the fourth lake (heading southwards) in that chain of lakes that makes up Beeliar Regional Park. Whitefellas believe that they discovered the lake in 1842 and named it after the bloke who bought the land in 1843, one Benedict von Bibra. The Nyoongar say they have known about the lake since time began and to them it known as Walubup.

I first went to Bibra Lake about thirty years ago and thought it was a bit boring and hadn’t been back until the other week. I was called upon for driving duties for the Beloved Significant Other (BSO) and I was left with a morning to kill. So I looked in my copy of Birding Sites around Perth by Ron Van Delft (sadly out of print and unavailable now) and saw that Bibra Lakes was nearby and rated as a good location for birding. The down side to this was that we were experiencing the first major cold front of winter and that meant it was bucketing down and blowing a gale. So suitably swathed in Gore-Tex and equipped with a suitably weather resistant camera I headed off to walk around the lake not expecting to see much.

 

Live Here by Paul Amyes on 500px.com
A comforting warning painted on the cycle path that runs around Lake Bibra. It was cold and wet in winter so not much chance of a snakey encounter.

 

Initially I thought that with it raining I had more chance of photographing ducks as it was the perfect weather for them. There were quite a number of different species on the shore and the water. I was quite taken by the Shovelers and the Pink Eared Ducks. The Shovelers are quite a string looking duck with colouring and almost disproportionately large bills. They can often be seen foraging in shallow water where they filter water through their bills insects looking for insects, crustaceans and a variety of plants. Such a specialised mode of feeding means that they are limited to certain types of habitat such as freshwater swamps and lakes with large reed beds. Shovelers also tend to hang out with pink-eared ducks which are so called because of the patch of pink feathers on the sides of the drakes head. Like the Shovelers they too are filter feeders. As the walk moved through areas of paperbark and sheoak trees then smaller insect eating birds were seen such as Willie Wagtails, Grey Fantails, Silvereyes, and various types of wrens. Over all as I did the 8.5 Km walk I saw 18 different species of bird which I felt was a pretty good haul considering the weather conditions. So I’ve revised my opinion of Bibra Lakes and will not wait another 30 years before my next visit.

 

Australasian Shoevelers by Paul Amyes on 500px.com
Australasian Shoevelers, Spatula rhynchotis. Bibra Lake, Western Australia. Panasonic Lumix G85 with Panasonic LEICA DG 100-400/F4.0-6.3 lens. Exposure: 1/400 sec, f6.3 at ISO 250.

 

Keeping A Low Profile by Paul Amyes on 500px.com
A pink-eared duck (Malacorhynchus membranaceus) keeping a low profile while amongst Eurasian coots (Fulica atra). Bibra Lake, Western Australia. Panasonic Lumix G85 with Panasonic LEICA DG 100-400/F4.0-6.3 lens. Exposure: 1/500 sec, f6.3 at ISO 3200.

 

Brown Honeyeater, by Paul Amyes on 500px.com
Brown Honeyeater, Lichmera indistincta. Bibra Lake, Western Australia. Panasonic Lumix G85 with Panasonic LEICA DG 100-400/F4.0-6.3 lens. Exposure: 1/500 sec, f6.3 at ISO 2500.

 

Varigated Fairy-wren by Paul Amyes on 500px.com
Varigated Fairy-wren, Malurus lamberti. Bibra Lake, western Australia. Panasonic Lumix G85 with Panasonic LEICA DG 100-400/F4.0-6.3 lens. Exposure: 1/500 sec, f6.3, ISO 320.

 

Willie Wagtail by Paul Amyes on 500px.com
Willie Wagtail, Rhipidura leucophrys leucophrys, Bibra Lake. Panasonic Lumix G85 with Panasonic LEICA DG 100-400/F4.0-6.3 lens. Exposure: 1/500 sec, f6.3 at ISO 1600.

 

Mistletoebird by Paul Amyes on 500px.com
A female mistletoebird, Dicaeum hirundinaceum, at Bibra Lake in Western Australia. Panasonic Lumix G85 with Panasonic LEICA DG 100-400/F4.0-6.3 lens. Exposure: 1/500 sec, f6.3 at ISO 2000.

 

Bibra Lake by Paul Amyes on 500px.com
Bibra Lake is part of the Beeliar Wetlands which is an internationally recognised birding hotspot. This is one of two bird hides that have been buit at Bibra Lake.

 

Feed A Bird? by Paul Amyes on 500px.com
Don’t feed the birds sign at Bibra Lake complete with Willie Wagtail, Rhipidura leucophrys leucophrys. Panasonic Lumix G85 with Panasonic LEICA DG 100-400/F4.0-6.3 lens. Exposure: 1/500, f4, ISO 250.

If you are interested in the birds that can be seen at Bibra Lakes, and indeed throughout the Beeliar Wetlands Birding WA has a useful webpage that gives info on the species that can be seen and where. Birdlife Australia put out a couple of useful brochures which can be got from regional visitors centres or downloaded as PDFs from their website. The brochures are:

 

White-headed Stilt. by Paul Amyes on 500px.com
White-headed Stilt, Himantopus himantopus subsp. leucocephalus. Bibra Lake, Western Australia. Panasonic Lumix G85 with Panasonic LEICA DG 100-400/F4.0-6.3 lens. Exposure: 1/500 sec, f6.3 at ISO 1600.

 

Nice and Easy

Splendid Fairy Wren by Paul Amyes on 500px.com
Splendid Fairy-wren, Malarus splendens subs splendens, out of the breeding period. Lake Leschenaultia, Western Australia. Canon EOS 6D with Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary lens. Exposure: 1/1000sec, f6.3 at ISO 6400.

Sometimes I think that have got to be easier ways to enjoy birding and bird photography than dragging 3.5Kg of camera and lens quietly through the bush and trying to get a picture of something that is literally so flighty that the slightest sound sees your subject leave at a tremendous rate of knots.

 

Western Thornbill by Paul Amyes on 500px.com
Western Thornbill, Acanthiza inornata. Lake Leschenaultia, Western Australia. Canon EOS 6D with Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary lens. Exposure: 1/1000 sec, f6.3 at ISO 1000.

 

Case in point. Not so long ago Beloved Significant Other (BSO) went for a trip to Lake Leschenaultia in Chidlow. I spent an age crawling around in the bush looking for a cooperative subject. In that time every small twig that I inadvertently trod on sounded like a thunder clap that sent all the wildlife scurrying for cover in a 5Km radius.

 

Silvereye by Paul Amyes on 500px.com
Silvereye, Zosterops lateralis. Lake Leschenaultia, Western Australia. Canon EOS 6D with a Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary lens. Exposure: 1/1250 sec, f6.3 ISO 2500.

Even if you manage to creep up on a suitable subject you then have the problem of photographing something that is 5-10cm and hoping and twitching around like a meth user suffering from St Vitus’ dance while you are trying to track it and keep it in focus as it darts in and out of the foliage. So I’ve come up with an easier method. The BBQ. If you have BBQ in Australia every animal in the neighbourhood will be trying to relieve you of your food. The little buggers will climb into your lap and pose for photos if food is involved.

 

A picnic feast with the birds of lake Leschenaultia by Helen Amyes (aka BSO). Panasonic Lumix LX5. Exposure: 1/160 sec, f2.8 at ISO 80.