Canola Time

It’s quite hard to believe that flowering canola can be a tourist attraction, but judging from the number of people taking selfies of themselves in front of fields of it certainly confirms it. So here are my gratuitous canola themed photos.

 

Canola Reflection by Paul Amyes on 500px.com
Djandjarak or Black-winged Stilt (Himantopus himantopus) with canola reflections.

 

Blue and Yellow by Paul Amyes on 500px.com
The yellow canola contrasting with the blue sky.

 

Blossom and Canola by Paul Amyes on 500px.com

Almond blossom with a backdrop of canola.

Fields Of Gold

Fields Of Gold by Paul Amyes on 500px.com

Golden hour light illuminates the canola. York, Western Australia.

 

It’s the time of year again when I post a gratuitous canola photograph. But the yellow of the canola and the blue of the sky are hard to resist. It’s really strange – York is a wildflower hot spot with an incredible number of spectacular species, yet I see more tourists pull up to photograph canola than the wildflowers.

Fifty Shades of …

… Yellow

No this isn’t a new trilogy of mummy porn it’s because everything round here has turned a shade of yellow. Mostly that acid yellow that is canola, but the wattles give a nice counter point.

 

Helena Road by Paul Amyes on 500px.com

Canola fields flanking Helena Road. York, Western Australia. Sony A7 r ii, Metaboned V smart adapter, Canon EF 24-70mm f4 L lens. Exposure: 1/20 sec, f11, at ISO 100.

 

Canola by Paul Amyes on 500px.com
A farmhouse surrounded by canola in York, Western Australia. Sony A7 r ii, Metabones V Smart Adapter, Canon EF 70-200mm f2.8 IS L lens. Exposure: 1/60 sec, f16 at ISO 320.

 

Yellow by Paul Amyes on 500px.com

Yellow wattle and yellow canola fields. York, Western Australia. Sony A7 r ii, Metabones V Smart Adapter, Canon EF 24-70mm f4 IS L lens. Exposure: 1/30 sec, f16, ISO 500

Jaundiced

 

York and its surroundings have have taken on a definite yellow tinge of late. This is mainly due to the canola crops in the fields but soursob and yellow daisies are also to blame. It’s not a warm and inviting yellow but rather a green tinged acidic looking yellow. Nevertheless it sends the tourists wild and as you drive round you can see countless people standing in canola fields having their picture taken or taking a selfie even though many of the fields have signs up asking people not to. I don’t know when this became a trend – I can’t remember people doing this when I grew up in Kent and Sussex. Mind you back then it wasn’t canola it was oil seed rape. I think it’s probably got something to do with mobile phones and Instagram, but as somebody who has only just started an Instagram account I can’t be too certain of that so don’t quote me.

 

 

Oh did I mention I’ve now joined the 21st Century and got an Instagram account? I’m not really au fait with it yet. That’s probably because I don’t really like messing about with images on my phone – I’d rather do it my computer but Instagram won’t let you upload from a computer. If anyone knows of a way to load photos to instagram from a desktop please let me know.

Mistakes and Failures

Rural Idyll by Paul Amyes on 500px.com
Rural Idyll. The sun sets on the canola by Mount Bakewell in York, Western Australia. Olympus OMD EM1 with Olympus 12-40mm f2.8 lens and Cokin 3 stop ND and 3 stop GND filters. Exposure: 1/13th sec, f8 ISO 200.

 

Photography and video are both media that allow the artist to play with the concept of time. Up until recently I primarily worked using still photography. With the advent of good quality video being added to most digital cameras I started playing tentatively with moving images and enjoying the whole idea of capturing movement in another way. Now I’m playing with time-lapse which is a way of using still photos to play with movement that the eye doesn’t normally perceive.

 

Canola Sunset by Paul Amyes on 500px.com
Sunset over the canola fields. York, Western Australia. Olympus OMD EM1 with Panasonic Leica 8-18/F2.8-4.0 lens a Cokin 3 stop ND and a 3 stop GND. Exposure: 1/50th sec, f8 at ISO 200.

 

 

The last couple of weeks have seen me shooting the canola fields around York. I’ve yet to do anything with the resulting video footage, but the pictures illustrating today’s post are still out takes. It is just a matter a shooting hundreds of shots of the same scene over a defined time period. My normal landscape gear and technique are used. I’m also experimenting with adding my own movement in the form of pans, tilts and slider moves. Thankfully my camera has an electronic shutter so I’m not burning through the shutter life.

 

Abandoned by Paul Amyes on 500px.com
Abandoned. An old colonial farmhouse amidst the canola. York, Western Australia. Olympus OMD EM1 with Olympus M.Zuiko Digital ED 75-300mm f/4.8-6.7 II lens and Cokin 3 stop GND. Exposure: 1/30th sec, f8 at ISO 200.

 

 

The thing with experiments is to allow ourselves to make mistakes. This can be difficult if you have, like I have, been practicing in a medium for many years because you tend to develop a certain competence/mastery (pick whichever is the most appropriate) and expect a certain result for your efforts. So when confronted with learning something new and seeing all the mistakes and failures it is tempting to run back to the security of our old established ways of working as it is more ego friendly. In our society the notion of mistakes and failure is seen as a negative, but they really should be embraced. We need to give ourselves freedom to explore and experiment in a nurturing environment so that we can learn and progress. At the moment I’ve got a couple of dozen time-lapse clips sitting on my hard drive, two of them are OK the rest suck big time. Looking at them objectively and looking at the work of people who are considered masters of this art form I can see where I have made my mistakes and so I can now work to avoid repeating them. Who knows in another couple of years I might actually get good at it.

Mellow Yellow*

Canola growing on Daliak Estate in York, Western Australia. Olympus OMD EM-10 with Olympus M.75-300mm F4.8-6.7 II lens, Cokin circular polarizing filter and 3 stop graduated neutral density filter. Exposure 1/160 sec, f8 at ISO 200.

Well we have finally moved into our own home and this is the view from the front door. It’s nice to be a home owner again, and it’s nice to have such a brilliant view.

* This weeks musical reference is obvious – it is of course the 1967 hit song Mellow Yellow by Scottish singer song writer Donovan. Back in the day the song was rumoured to be about smoking dried banana peel for its hallucinogenic effect. For the children at home you can’t get munted off smoking bananas it was all a hoax. I wonder how many people spent hours drying bananas and then smoking them over the years. It would have to be millions. Oh the gullibility of youth!!! So what was Donovan’s song about then? Well the clue is in the phrase “electrical banana“.

 

Hillside

Hillside Farmhouse
Hillside Farmhouse

 

 

Hillside Farmhouse was designed by Sir Talbot Hobbs, a leading architect and built in 1911 for Morris Edwards in the historic Wheatbelt town of York in Western Australia. Sony A7r with Olympus OM Zuiko 35-105mm f3.5-4.5 lens mounted via a Fotodiox adapter,  Cokin circular polarizing filter and +3 stop graduated neutral density filter. Exposure 4 seconds, f16, ISO 50.