demonstration

It's Wet — It’s been raining – a lot! Most unusual for the Wheatbelt.

Well here I am back with another look at the EM-10 now I’ve had it in my possession for a month. First I’d like to thank reader Mike Hendren who set me straight about the bracketing feature. Thanks to him I’ve found that if you go into the HDR function then you can find lots of bracketing features. The camera is capable of in camera HDR and it processes the images as a jpg. The camera shoots a burst of four shots each with a different exposure and you have a choice of two settings for the output – one is more “dramatic” than the other.

Marwick's Barn — Marwick’s Barn, a large stone and timber structure with a high-pitched iron roof was built in the 1870s. Single exposure with just a little sharpening in Lightroom.

Not a lot of difference really, just a flatter image. Scrolling past the in camera processing you can choose to bracket your exposures and then process the images on your computer. You have a choice of 3, 5 or 7 frames at -/+ 2 stops, 3 and 5 frames at -/+ 3 stops. The picture below was 3 5 frames at -/+ stops and processed in Lightroom and HDR Efex Pro 2.

If HDR is your bag then I think you have a definite idea of how you want your photos to look and will choose to blend the images in software on your computer. However, the function could be just the ticket if you’re a confirmed jpg shooter. Speaking of bracketing and jpgs, then the Art Filter bracketing may prove to be a boon if you ever feel a little indecisive about how you want an image to look. You can choose as many of the filters as you like, but bear in mind that you will need a bit of patience while you wait for the buffer to be cleared.

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I must say that I’m pretty impressed with the robustness of the files the EM-10 produces, they hold up to post processing very well.

Albion — Detail of a vintage car radiator grill. Avon Tce, York, Western Australia. ORF processed in Lightroom and then in the desktop version of Snapseed.

Curly wire on a fence post. Focusing the Color-Heliar 75mm f2.5 wide open using focus peaking.Raw file processed using Lightroom and Snapseed.

Two's Company — Two horses kept on a property on the banks of the Avon River in York, Western Australia. Shooting with a 35mm Color-Skopar lens wide at f4 with focus peaking. Raw file processed using Lightroom and Snapseed.

Ceramic Flock — Sheep garden ornaments. Color-Heliar 75mm f2.5 wide open focused with focus peaking on the new Olympus EM-10. Raw file processed using Lightroom and Viveza 2.

Noise, both colour and luminance, seem very well controlled as this shot Diego my cockatiel shows.

Diego's beak — High ISO noise test. Diego my cockatiel at ISO 6400. Close up of Diego’s beak to show noise.

Olympus has always had a good track record when it came to metering systems. The OM 3 and 4 introduced multi-spot reading with shadow and highlight priority, which made them very popular with adherents of the Zone System pioneered by Ansel Adams. The Om 40 saw the introduction of ESP metering which meters from several areas of the image and it is a more sophisticated version of this using 324 areas is present in the EM-10. Spot metering, high light and shadow spot metering are also present, but multi-spot metering is not present. The metering is very accurate and backlit subjects don’t fool it into under exposing.

Razor Sharp — The ESP multizone metering handled this well with good detail being maintained in both the shadows and the highlights. Straight out of camera jpg.

A few readers asked questions about the capabilities of the camera. Several wanted to know whether the EM-10 was suited to BIF. Sorry the only biff I know about is jujitsu and aikido. Seriously I don’t have a lens long enough to attempt birds in flight, and when I try with my 40-150 they certainly take flight but can only be seen as tiny specks. I do have a sequence of Frida, my English Bull Terrier, doing a “bully run” .

Bully Run — Twelve frame sequence on low continuous shooting of my dog running towards me using the 40-150mm zoom. On some of the frames the focus tracking lost focus but then quickly reacquired.

I mentioned in the previous part of the review that I had used the EM-10’s pop up flash to act as a controller for off camera flash and several people asked how I did this. Well the video below should answer that question.

Another reader asked about using the inbuilt WiFi function. This is the first camera I have used with this function and I have to say I think it is really great. I used my iPad and it was brilliant to use it as a gigantic screen to aid with composition and focusing. The only downsides are that it uses up the camera battery real quick and you can’t use to in movie mode.

So, as I’ve got to know the camera have my feelings changed? Well I have to say when I first picked it up I felt that the camera felt unnecessarily complicated and frustrating to use. Four weeks on I have to say that we’re starting to establish a relationship, I’ve largely set the camera up so I don’t have to do much menu diving which means I can just get on and shoot. The metering is reliable and the files are great, so for still photography I think the EM-10 has the makings of good camera. As for video, well I’m still out to lunch on that one. As I said at the beginning of this entry it has been very wet here and so I’ve not had enough time to get out and shoot anything. I’m hoping to get out in the next week or two and shoot a small project with it, so when that is ready I’ll post my thoughts about it. Stay tuned for the next thrilling instalment.

And now a short break from our regular programming.

The refugee issue here in Australia is a highly emotionally charged one. So much so that both major political parties pander to the public’s xenophobia and racism rather than meet their international legal obligations. While Australia likes to present itself as an easy-going multi-racial society it is reality far from it. The country has an appalling record when it comes to institutional racism. Our country still sees the aboriginal peoples as second class citizens, and although under Prime Minister Kevin Rudd the government issued an apology for past wrongs still effectively has a defacto form of apartheid that keeps aboriginal people in crushing poverty that directly reduces their life expectancy and sees them in virtual continual conflict with the legal system. Many Australians would emphatically deny this and say that using names like boong, nigger, blacks and gins are just good-natured fun. In fact our new government led by Prime Minister Tony Abbott is in the process of altering the Racial Discrimination Act so that it is perfectly legal be a racist bigot and engage in racial vilification. If it waddles like a duck, quacks like a duck then it must be a duck. Australia talks like a racist and behaves like one, so Australia must be a racist country.

So we come to the issue of asylum seekers and refugees. For as long as I’ve been in Australia the issue has been the major focus of every election. Politicians from all sides have incited intolerance, racism and hatred against anyone who comes to Australia seeking asylum. Refugees are seen as being morally deficient, as though what they are doing is somehow “un-Australian” and should therefore be punished. And punished they are, for if they are fortunate to survive the tribulations of getting to Australia to ask for asylum the government imposes upon them mandatory indefinite detention in off shore Australian camps. When visiting one of these camps ABC correspondent Liam Fox found the conditions very confronting. Life is brutal in the camps and many of the detainees develop severe psychiatric conditions as a result which cause significant numbers to commit suicide and para-suicide.There have been well documented cases where staff from the private security companies administering the camps have physically and sexually assaulted detainees. On 17th February 2014 this culminated in the murder of Reza Barati, an Iranian asylum seeking being held at Manus Island in Papua New Guinea in an Australian off shore facility. Initially the government’s response was that Barati had brought this on himself by seeking asylum in Australia. Since then there has been silence with the issue being swept under the carpet by both the Australia and Papuan governments for the sake of political expediency. Tony Abbot’s government has made the issue of asylum seekers a matter state security and says that it is not in Australia’s best interests to inform its citizens of what it is doing in their name. Effectively Reza Bararti was killed by the Australian state as a direct result of current government policy, and because that policy is now out sourced to a company that has a long international history of abusing and violating those who are put in its care.

Mr Abbot believes whole heartedly that he and his government are acting in accordance with Australia’s wishes and that he has a mandate to deny asylum seekers of their civil liberties, human and legal rights. He maintains that racism is not the motivator, but every year hundreds of Europeans and Americans overstay their tourist visas to live here. If caught they are processed in a facility in a major city rather than be sent off shore. If you are white you get to present your case to stay, if not you get shipped out to Manus or some other off shore camp and detained indefinitely.

Mr Abbot when elected some six months ago said he would govern for all Australians. Well on Palm Sunday this year in the state capitals thousands of ordinary Australians from all walks of life said “Not In My Name”. In a loud clear voice they said that they wanted this policy to end and justice be done.

paulamyes

This is the site for Australian visual journalist and writer Paul Amyes.

Olympus EM-10 Redux

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Not In My Name

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