The Good Samaritan

This lady lived on the railway platform at Jammu Railway Station and was a missionary to people using the station. Photo by/courtesy Helen Amyes.

 

This photo was taken in November 1987. We were travelling around India and Nepal before heading of to Australia to start a new life. If memory serves me correctly we had been staying on a house boat on Dal Lake in Srinagar and we were just leaving to head off to Kathmandu in Nepal. I was quite ill at this stage having gone down with amoebic dysentery and Helen wasn’t well either. We had a long journey ahead of us across the top of India from Srinagar to Jammu by bus and then Jammu to Gorakhpur by train and then finally catch a bus to the Nepali border where we would stay the night. The journey to Jammu Railway Station had left us absolutely wiped out and we were left with some time to kill before our train. While on the platform we met the lady in the photo above. She lived on the platform under a bit of a tarp and she saw herself as a missionary to the people travelling on the railway.  We got talking, she was very excited to chat with us – I don’t think many westerns were coming through at the time because  there was an ongoing armed insurgency with rebels demanding independence and several tourists had been killed. We’d been in India long enough to know that if you were a westerner you’d be approached for money. What this homeless lady did was offer to help us. She just had the clothes she stood in, a few religious pamphlets and her bedding. Finding out that we had “bad” stomachs she gave us cardamon pods to chew as it is considered to be an aid to digestion in India.  The encounter did not last long, but, it has a long lasting effect on us both. We both think about her regularly and often wonder what happened to her.

 

This is another exercise in camera scanning – this time with colour transparency film. The original image was taken by Helen on her Olympus OM40 with the Olympus OM Zuiko 35-105mm f3.5-4.5 lens. The film stock was Kodak Ektachrome 100. Unfortunately over the last 37 years time has not been kind to the transparency and it has taken on a magenta colour shift and become very muddy. The scan cleaned up nicely in Lightroom with a couple of finishing touches done in Photoshop. This was all done manually. Trying to psych myself up for colour negatives next.

 

The original scan showing how in the 38 years since I had this film developed it had suffered a significant colour shift. E6 film uses dyes that are notoriously unstable.

The Streets Are Paved With Photos

Something strange afoot … Raúl Cañibano’s Habana, 2023.

 

I came across a wonderful little piece in the Guardian the other about a photographer whom I’d never heard of before, but on looking at his work I was completely enthralled. The photographer is Raúl Cañibano from Cuba. His work falls into the categories of humanism and surrealism and follows in the traditions of Henri Cartier-Bresson, Elliot Erwitt, Walker Evans, Josef Koudelka and Sebastião Salgado. It is wonderful stuff and I would urge you to have a look at his work and maybe buy his books.

This genre of photography is one that for a number years I really wanted to practice without much success. There is this assumption that it is very easy – all you have to do is walk around and point your camera at everything you see and you’ll end up with “art”. It takes a great deal of dedication, patience and an eye that can spot “a significant moment in the continuous flux of life and captures it in a fraction of a second”. (p 104 Badger, G. 2007 “The Genius of Photography – how photography has changed our lives” Quadrille Publishing Ltd, London). Or to put it another way that nanosecond when all the individual elements of a photograph come together to create meaning. For years I have wanted to take a certain photograph that for me epitomises this ethos. I can see the image in my minds eye, but, I can never manage to make it happen. It is a simple concept but it has eluded me.

 

Durbar Square by Paul Amyes on 500px.com
Walking through the feeding pidgeons in Durbar Square Kathmandu. Olympus OM4 with Sigma 75-210 lens, Kodak Ektachrome 100.

 

The idea is that a person walks into a large flock of pigeons that are feeding on the ground and as they do the birds take flight and we have a photo of a person surrounded by a swirling mass of birds.  As I said it is a very simple concept and not original in any shape or form. The occurrence happens frequently yet I just can’t nail it. The best attempt so far is one that I took in Nepal in 1987 (yes it’s been going on that long!). It’s an OK shot on one level, but it is really too cluttered to work. Fast forward to Monday and I was in Perth walking through Forest Place where there was a flock of pigeons feeding on the ground. Suddenly alert to the possibilities I caught out of the corner of my eye a small boy running around in that state of hyper excitement that only small boys can have. I immediately thought that at last it is finally going to happen. So as the little lad approached the birds I quickly framed up and set an appropriate aperture and shutter speed and waited for the decisive moment of the child scattering the flock and them taking flight around him. I could just see the finished photograph. So what happened? Well the little lad did indeed run among the pigeons and they just didn’t react. The whole episode was a tremendous anticlimax. Maybe one day it will happen.

 

The Kid Among The Pigeons
The Kid Among The Pigeons. Forest Place, Perth, Western Australia. Canon 5d with Canon EF 50mm f1.8 ii.

Inspiration Flows

I’ve received some inspiration from a couple of sources this week. Firstly it was the 50th Anniversary of the launch of the Olympus OM 1, a hugely innovative camera that inspired much love and devotion. It would be 10 years after its introduction that I would get my own and it propelled me into a life long love affair with Olympus cameras and lenses. The anniversary sent me looking back through my photo archives for images made with it and I decided to write a blog about it.

My second source of inspiration for this blog entry comes from a blog I’ve been following for a while – coronet66. Every Thursday he puts up photos he’s taken of doors. Now I’ve got to admit a certain fondness for taking pictures of doors and gates. So I thought I’d put up a few pictures of doors I’ve taken with my OM1.

 

This was taken in Amsterdam in January 1986. I remember precisely as I was on honeymoon. I was intrigued at the sheer number of doorbells. Olympus OM1n with Sigma 28mm f2.8 lens using Agfachrome CT400.

 

Friends of mine used to live in this cottage on the Goodwood Estate in West Sussex. Olympus OM1n with Olympus 35-105 lens using Fujichrome RP50 which was the precursor to Velvia.

 

The Bull Dog Cafe in Amsterdam. January 1986.

 

Carmelite Nunnery in Palma, Majorca. Originally taken on Fujichrome RP50 but converted to black and white in AlienSkin Exposure 4.

 

An old abandoned Venetian style house boarded up. Santorini.

 

Hanuman Dhoka is a complex of structures with the Royal Palace of the Malla kings and also of the Shah dynasty in the Durbar Square of central Kathmandu, Nepal.