“My love is wider…

…wider than Victoria Lake”*


York Mill
As you drive into York on the Great Southern Highway standing tall on your left is the historic York Flour Mill built in 1892, home to The York Mill.

I like wide-angle lenses, I use them a lot, but funnily enough mostly in the 24-35mm range (35mm full frame sensor speak that is). Occasionally I’d pull oy a 20mm, but as I said only very occasionally. The above shot was taken with a 24mm lens, it’s OK but a little cramped. I couldn’t back up any more as I was against the fence so I threw caution to the wind and chucked a 15mm lens on the front of the camera – and we’re talking full frame sensor here.


York Mill
York Mill again this time Voigtlander 15mm Super Wide-Heliar lens.

It’s amazing how much difference 9mm can make. Same viewpoint but this time with the camera in the landscape orientation. It sets the building in its context and thus makes it more appealing. I also like how the whole building is acting as a giant reflector for the setting sun. This will be the picture that is used for the end product, however, the one I like the most takes advantage of the enormous depth of field that such a short focal length provides.


York Mill
What a lot of depth of field – from 30cm to infinity at f16.


*  Today’s title comes from a couple of lines from the lyrics of “Is It A Crime” by Sade the über cool and totally smooth chanteuse of the 1980’s.

Olympus OM Zuiko MC 24mm f2.8

The second instalment in my look at classic Olympus OM Zuiko lenses and how they perform on modern full frame high megapixel digital cameras. This time we are looking at the Olympus OM Zuiko MC 24mm f2.8.


Olympus OM Zuiko MC 24mm f2.8 lens
Olympus OM Zuiko MC 24mm f2.8 lens

This is the second iteration of the versions produced by Olympus – the silver nosed H.Zuiko, the MC and the NHC. All three share the same construction of eight elements in seven groups in a compact body that is 31mm long and weighs 185g for the multicoated versions and 180g for the earlier single coated design. The filter size is 49mm.



Barrel distortion is very obvious as is a small amount of CA wide open at f2.8. The CA clears up quickly by f8. Wide open the lens is reasonably sharp in the centre and soft at the edges. By the time it is stopped down to f8 the centre improves as a consequence of an increase in contrast and the edges while appreciably improving still aren’t as sharp as the centre of the image. Flare is impressively controlled on a lens of this age (its been raining a lot here so haven’t had much sun to poke it at) and so I’ve not felt compelled to whack a lens hood on the front.


Olympus OM Zuiko 24mm f2.8 at f8.
The bookshelf test shot. Olympus OM Zuiko 24mm f2.8 at f8. Note the barrel distortion.


OK! OK! This isn’t the sexy f2 version, but with the modest aperture of f2.8 you get a very compact lens that is a very capable performer. Yes it does not exhibit the modern fetish of corner to corner sharpness but don’t let that put you off – this lens will handle landscapes, environmental portraits and reportage with aplomb.  This lens will do most of heavy lifting work in my up coming new project so will end up with a Cokin P-series filter adapter mounted on it with a single lens hood extension and there are no signs of any vignetting with it mounted. Gotta love vintage glass – such modest filter sizes.

Cellarbrations Bottleshop
Cellarbrations Bottleshop, Avon Terrace York, WA. Olympus OM Zuiko 24mm


Quairading Railway Station
Aboriginal art at Quairading Railway Station, Western Australia. Sony A7r with Olympus OM Zuiko 24mm f2.8 lens. Exposure 1/4000 f8 ISO 400.


The Car Dealership From The 1970's.
The Car Dealership From The 1970’s. Quairading. Sony A7r with Olympus OM Zuiko 24mm f2.8 lens.