Backyard Birds 2

Welllllllll…not strictly true. This Nankeen Kestrel was on the power pole on the nature strip in front of our house. Another metre and it would have been in the front garden so I’m claiming it. They often perch there in the cooler months to either observe the field opposite for small animals or to eat the small animal they’ve just caught. This one was running an observation post.

 

Backyard Birds by Paul Amyes on 500px.com
A nankeen kestral (Falco cenchroides) uses the power pole on our nature strip to watch for prey in the field oppersite. Canon EOS 6d with Sigma 150-600mm f5-6.3 lens. Exposure: 1/500 sec, f7.1 at ISO 100.

 

Birding On The Avon

 

Like many people at this time I’ve had my movements curtailed. Where I live we are allowed out locally for exercise so I’ve been going out for walks along the river to photograph and video the birds that can be found there. This is the third time I’ve tried to video wildlife and it is very hard.I don’t work from a hide so I have to set up quickly and quietly and often the birds will move on before I can get filming. Shooting mainly just after dawn or just before sunset has meant using high ISOs and made focusing difficult. But, the more you do it the better you get. The purpose of the video was to make something, learn something new and help keep me thinking positive thoughts during this time.

Just out of interest I’ll put the stills up below. They were shot on either a Canon EOS6d with the Sigma 150-600mm f4.5-6.3 Contemporary lens or the Olympus OMD EM1 mk ii with the Panasonic Leica 100-400mm f4-6.3 lens. I wonder if you can tell the difference at web size without enlarging to 100% or checking the EXIF data?

Rufous Whistler by Paul Amyes on 500px.com
A male Rufous Whistler (Pachycephala rufiventris). York, Western Australia.

 

Laughing by Paul Amyes on 500px.com
Laughing kookaburra, dacelo novaeguineae. York, Western Australia

 

Yellow Rumped Thornbill by Paul Amyes on 500px.com
Yellow Rumped Thornbill, Acanthiza chrysorrhoa, York, Western Australia.

 

Yellow-billed Spoonbill by Paul Amyes on 500px.com
Yellow-billed Spoonbill (Platalea flavipes), Avon River, York, Western Australia.

 

Great Egret by Paul Amyes on 500px.com
Great egret, Ardea alba, feeding on the Avon River. York Western Australia

 

Tatty Robin by Paul Amyes on 500px.com
Tatty robin. Red-capped Robin (Petroica goodenovii), York, Western Australia.

 

Brown Honeyeater by Paul Amyes on 500px.com
Brown Honeyeater, Lichmera indistincta, York, Western Australia.

 

Yellow-billed Spoonbills by Paul Amyes on 500px.com
A pair of Yellow-billed Spoonbill (Platalea flavipes) feeding on the Avon River in York, Western Australia.

 

Dawn Hunt by Paul Amyes on 500px.com
A great egret (Ardea alba) and a white faced heron (Egretta novaeholladiae) hunting in the early morning light on the bank of the Avon River in York, Western Australia.

 

Great Egret by Paul Amyes on 500px.com
A great egret (Ardea alba) hunting in the early morning light on the bank of the Avon River in York, Western Australia.

 

Red-cap Dawn by Paul Amyes on 500px.com
Red-capped Robin (Petroica goodenovii), York, Western Australia.

 

 

What A Whopper!

The Sigma 150-600mm f5-6.3 DG OS Contemporary lens is part of Sigma’s Global Vision line of lenses. It offers an inexpensive way of getting into wildlife photography.

 

Not so long ago I looked at the the Panasonic Leica DG Vario-Elmar 100-400 f4-6.3 ASPH Power OIS lens for micro four thirds, well today I’m looking at an alternative lens for APS and full frame cameras – the Sigma 150-600mm f5-6.3 DG OS Contemporary lens. Now confusingly Sigma make two versions of the 150-600 and they are labelled the Sport and Contemporary. The-Digital-Picture.com has put up a good article explaining the difference between the two. The main ones are price and weight with the Contemporary being a 1Kg lighter and $1200 AUD cheaper. This is quite a significant difference and I for one prefer a lighter lens and a heavier wallet. The Contemporary is part of Sigma’s Global Vision line of lenses and is thus compatible with the Sigma TC-1401 1.4x Teleconverter which allows auto focus to work to a maximum of f8 while wide open if your camera supports this feature. This is an interesting option as it allows a reach of 860mm on full frame and a humongous 1376mm on an APSC sensor which is impressive reach for a lens and converter costing less than $2000 AUD. I didn’t happen to look at this option because none of my Canon DSLRs allow f8 auto focusing. shuttermuse.com has an article on f8 focusing with extenders or teleconverters and a list of compatible Canon DSLRs. This does not apply to the mirrorless R and RP which have f11 auto focusing.

 

Lens mounts available Canon EF

Nikon F

Sigma SA

Focal length 150-600mm
Angle of view 4.1° – 16.4°
Aperture range f5/6.3 to f22/27
Filter size 95mm
Minimum focusing distance 2.8 metres
Maximum magnification 1:4.9
Focusing Silent HSM with internal focusing and manual override
Aperture blades 9
Lens construction 20 elements in 14 groups with 1 FLD and 3 SLD elements
Image stabilisation Yes – 3 stops equivalent
Length 26cm
Diameter 10.5cm
Weight 1.93Kg without lens hood and tripod collar.

 

 

Fully extended to the 600mm focal length the lens is a beast. There is no sign of any wobble in the zoom extension.

Physically this is a large lens, it stands head and shoulders above my Canon 70-200mm f2.8 IS L lens which in itself quite a large lens. The 150-600 is also 500g heavier. At 2.1 Kg with lens hood and tripod collar attached it definitely has heft to it. Interestingly Sigma refer to it as a lightweight lens, I suppose it’s all a matter of perspective as the Panasonic Leica 100-400 is 0.985 Kg so the Sigma feels gargantuan compared to it while the Canon EF 600 mm f4L IS is over 3Kg so the Sigma then seems svelte and compact. The lens body is made out of what Sigma calls a Thermally Stable Composite (TSC) which is substantially stronger than conventional polycarbonates while having similar thermal expansion properties to aluminium. The lens mount is made of chromium plated brass which should ensure a long life. All in all it feels a well made and rugged lens, it may feel like plastic but the TSC body feels substantial and gives the impression of being very durable with no creaking or flexing. The Sigma 150-600 is advertised as being dust and splash proof but on closer reading of Sigma’s spec sheet there is only one seal and that is at the lens mount. If you want better then you’ll have to spring for the Sports version.

 

The Canon EF lens mount is made of chromium plated brass.

When looking at the lens from the front there is a large ribbed rubber zoom ring that has a long throw of about 160º. The action is smooth and feels not too tight nor too loose. As you rotate the zoom ring the lens barrel extends by 8cm. The extension feels secure with no slop or wobble. Just behind the zoom ring on the lefthand side is a zoom lock switch which can lock the zoom ring at the 150mm focal length to prevent zoom creep while carrying the lens. The focusing ring is narrow ribbed rubber and allows you to manually adjust focus while the lens is in the autofocus mode. There are no hard stops which might concern you if you were to use the lens for video. Behind the focusing ring is a panel of four switches and they are:

  • An AF switch allowing to choose between AF, MF and MO (Manual Override)
  • A focus limiter switch allowing a choice of full range, 10m to ∞, and 2.8 to 10m.
  • An optical stabilisation switch that gives a choice of off, on and a panning mode.
  • A custom switch that allows you to select two custom modes that can be programmed using the Sigma FD-11 USB Dock

 

There are three switches on the lens barrel. One fotr focus modes, the second a focus limiter and the third is for the optical stabilisation.

 

The focus distance scale is behind a window just below the the focus ring.

Above the switches is a window showing the focusing scale and then behind that is the lens collar. The lens collar allows you to turn the camera from horizontal to vertical while mounted on a tripod, but, unfortunately there are no detents to allow you to do this while looking through the viewfinder of the camera, you have to align the marks on the collar with those on the lens body. The tripod collar can be detached and thoughtfully Sigma provide a cosmetic rubber ring to slide over the lugs that hold the collar in place. The lens comes with a large plastic lens hood the size of a flower pot, it seems sturdy enough and bayonets into place and a nice touch  is that is ribbed internally to prevent reflections. The 150-600 has a 95mm filter thread which means filters will be expensive and potentially hard to get. In terms of accessories Sigma provide a nice well padded lens case, a shoulder strap for it and a Sigma branded camera strap. Like all Sigma lenses you get a lot for the money you spend. Nice one Sigma!

The 150-600 has a 95mm filter thread which means filters will be the size of dinner plates, be expensive and potentially hard to get.

I tested the lens on a Canon EOS 6d and an EOS 550d to see how it would perform on both crop and full frame cameras. In terms of AF performance as neither of those cameras have what can be considered state of the art AF systems, in fact it is over twelve years old, the lens did very well. The single point AF using the centre point was fast and precise and well capable of fixing on small birds amongst foliage. In terms of continuous AF on the EOS 550d the camera was the limitation being only able to shoot 6 frame bursts in RAW, but out of my six shots when tracking my dog trotting five of the six would be in focus. The 6d is able to shoot 4.5 frames per second for 15 frames and on the trotting bull terrier test it managed 12 frames in focus.

 

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When it came to BIF (birds in flight not fisticuffs) the AF was more than capable of focusing on and tracking medium to large birds. It really struggled with small birds especially swallows. Put it on a better camera and I’m sure you’d get better results.

 

Australian White Ibis, by Paul Amyes on 500px.com
Australian white ibis, Threskiornis molucca, Herdsman Lake, Western Australia.

 

My primary use for a lens like this is handheld bird photography, and as such I didn’t really give the image stabilisation a workout as I seldom use a shutter speed below 1/500 sec. But messing around at home in the house and garden I figured it was good for three stops. Mind you I do have steady hands so your experience may differ from mine.

 

 

The optical construction of the lens is twenty elements in fourteen groups with 1 FLD and 3 SLD elements. The FLD (“F” Low Dispersion) glass element, which offers performance equivalent to fluorite.  Canon and other manufacturers have used synthetically grown crystals of calcium fluoride components in lenses to aid apochromatic design, and to reduce light dispersion so lenses made from it exhibit less chromatic aberration. What Sigma has done is use newer glasses and computer-aided design to render the use of fluorite crystals unnecessary. Sigma claim that the FLD element is “highly transparent, its refractive index and dispersion are extremely low as compared to conventional types of glass. It offers characteristics very similar to those of fluorite, which is valued for its anomalous dispersion. These characteristics minimize residual chromatic aberration (secondary spectrum), which cannot be corrected by ordinary optical glass, while helping to produce sharp, high-contrast images.” (https://sigmaphoto.com.au). The three SLD (Special Low Dispersion) glass elements also help to minimize chromatic aberration. To help achieve attractive out of focus transitions there are nine rounded aperture blades which should help achieve nice round bokeh balls when shooting specular highlights.

 

 

In terms of optical performance well I’ll deal with full frame and crop separately. First up using the lens on the crop framed 550d. At 150mm the centre of the lens wide open was sharp and contrasty and stayed A as such until f22 when it softened due to the effects of diffraction. At the edges the peak performance was attained at f11 and remained until f22 when it softened again. At 600mm the centre wide open was a little soft and lacking in contrast. This improved by f8 and then deteriorated at f22. The edges weren’t so good – wide open they were soft and lacking contrast and remained so until f22 when they got worse. As for vignetting well at the short end wide open it was apparent, about 1/2 to 1 stop and this disappeared by f8. It was the same story at the long end. Throughout the focal range there is slight pin cushion distortion and some chromatic aberration can also be seen. Open the files up in Lightroom and apply the lens profile and things improve nicely. On the full frame 6d the story is the same except for the vignetting which is naturally worse at around 1-1 1/2 stops which is totally understandable as you are using the whole frame rather than just the central part of the lens coverage.

 

100 % crop from the centre of a New Holland Honeyeater to show how detail is rendered by the Sigma 150-600mm f5-6.3 Contemporary lens.

 

What’s all this mean in real life. Well if we look at the image for the New Holland Honeyeater which I took at a distance of around 3.5 to 4 metres and then enlarge the section around the head you can see that there is nice feather detail and that the eye is sharper than a very sharp thing. To get much better you’d have to spend an awful lot of money and if we look at the Canon 600mm f4 lens I mentioned earlier that has an eye watering price of $18,500 AUD which is over 11 times the cost of the Sigma. Personally I know that if I plonked $18 K down on a lens I’d be heading for the divorce court which would make the Canon a doubly expensive lens. So for what it costs the Sigma is amazing value.

Below are some examples of bird photography shot with the lens on both a Canon EOS 6d and 550d.

 

Welcome Swallow by Paul Amyes on 500px.com
Welcome Swallow, Hirundo neoxxena, Herdsman Lake, Western Australia. Canon 6d with Sigma 150-600mm Contemporary. Exposure: 1/500 sec, f7.1 at ISO 250.

 

Red Capped Robin, by Paul Amyes on 500px.com
Red capped robin, Petroica goodenovi, Avon Walk Trail, York, Western Australia. Canon 550d with Sigma 150-600mm Contemporary lens. Exposure: 1/500, f6.3 at ISO 160.

 

Chestnut-rumped Thornbill by Paul Amyes on 500px.com
Chestnut-rumped Thornbill (Acanthiza uropygialis), York, Western Australia. canon 550d with Sigma 150-600mm Contemporary lens. Exposure: 1/1000 sec, f6.3 at ISO 320.

 

Mistletoebird, by Paul Amyes on 500px.com
Mistletoebird, Dicaeum hirundinaceum. The Nyoongar name is Minnijit. York, Western Australia. Canon 6d with Sigma 150-600mm Contemporary lens. Exposure: 1/1000 sec, f8 at ISO 1600.

So would I recommend the lens? Yes without hesitation. It performs very well and is sold at a very good price and you can’t argue with that.

Nice and Easy

Splendid Fairy Wren by Paul Amyes on 500px.com
Splendid Fairy-wren, Malarus splendens subs splendens, out of the breeding period. Lake Leschenaultia, Western Australia. Canon EOS 6D with Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary lens. Exposure: 1/1000sec, f6.3 at ISO 6400.

Sometimes I think that have got to be easier ways to enjoy birding and bird photography than dragging 3.5Kg of camera and lens quietly through the bush and trying to get a picture of something that is literally so flighty that the slightest sound sees your subject leave at a tremendous rate of knots.

 

Western Thornbill by Paul Amyes on 500px.com
Western Thornbill, Acanthiza inornata. Lake Leschenaultia, Western Australia. Canon EOS 6D with Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary lens. Exposure: 1/1000 sec, f6.3 at ISO 1000.

 

Case in point. Not so long ago Beloved Significant Other (BSO) went for a trip to Lake Leschenaultia in Chidlow. I spent an age crawling around in the bush looking for a cooperative subject. In that time every small twig that I inadvertently trod on sounded like a thunder clap that sent all the wildlife scurrying for cover in a 5Km radius.

 

Silvereye by Paul Amyes on 500px.com
Silvereye, Zosterops lateralis. Lake Leschenaultia, Western Australia. Canon EOS 6D with a Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary lens. Exposure: 1/1250 sec, f6.3 ISO 2500.

Even if you manage to creep up on a suitable subject you then have the problem of photographing something that is 5-10cm and hoping and twitching around like a meth user suffering from St Vitus’ dance while you are trying to track it and keep it in focus as it darts in and out of the foliage. So I’ve come up with an easier method. The BBQ. If you have BBQ in Australia every animal in the neighbourhood will be trying to relieve you of your food. The little buggers will climb into your lap and pose for photos if food is involved.

 

A picnic feast with the birds of lake Leschenaultia by Helen Amyes (aka BSO). Panasonic Lumix LX5. Exposure: 1/160 sec, f2.8 at ISO 80.

 

American Style

Nankeen Kestral by Paul Amyes on 500px.com
Nankeen Kestrel with prey at Marwick’s Barn in York, Western Australia. Canon EOS 550d with Sigma 150-600mm f4-6.3 OS. Exposure: 1/1000 sec, f6.3 at ISO 320.

 

The other day I’d been up on Mount Brown (which is a grand name for a moderately sized hill) looking for interesting birds to photograph. The conditions were great, but the birds uncooperative so I gave up and started driving home. At the bottom of the hill I caught out of the corner of my eye a nankeen kestrel hunting on an empty block. It swooped down into the long grass and quickly took off again obviously holding something. So I did something I’d never thought that I’d do. I’ve just been really getting into this bird photography malarkey and have been watching YouTube videos for tips. Mostly British videos, but the occasional American one. I’d noticed that quite a few of the American ones had the photographers driving around looking for birds and photographing then from the car. Well I started to follow this bird in the car. It didn’t go far. It landed on the power lines outside of Marwick’s Barn obviously to catch its breath. It obviously decided that the power lines was no place to deal with the kicking and struggling mouse so it moved to the top of a nearby power pole. So I pulled up on to the dirt shoulder and hanging out of the driver’s side window I photographed madly.

 

Nankeen Kestral by Paul Amyes on 500px.com
Nankeen Kestrel with prey at Marwick’s Barn in York, Western Australia.

There were no niceties, the kestrel didn’t even both to dispatch its prey before eating – it just pulled the mouse apart. I continued snapping frantically. When everything was finished the kestrel noticed the sound of the camera and gave me a hard stare. Rumbled! With a look of disdain it flew off.

 

Nankeen Kestral by Paul Amyes on 500px.com
Nankeen Kestrel with prey at Marwick’s Barn in York, Western Australia.

 

 

Marwick's Shed by Paul Amyes on 500px.com
Marwick’s Shed also called Marwick’s Barn. Constructed from 1876. Was used for transporting supplies to the goldfields prior to the completion of the Perth-Coolgardie railway line. Olympus OMD EM10 mk I with Olympus 17mm f2.8 lens. Exposure: 1/400, f8 at ISO 200.

 

 

Totally Confused

Birds were so much easier back in England. I wrote earlier about how Australian Robins come in an assortment of colours and not just the red breasted ones I grew up with. Well walking down the river bed the other day I see this.

Mistletoebird, by Paul Amyes on 500px.com
Mistletoebird, Dicaeum hirundinaceum. The Nyoongar name is Minnijit. York, Western Australia. Canon EOS 6d with Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary lens. Exposure: 1/1000 sec, f8 at ISO 1600.

 

It’s obviously some sort of robin thinks I as I walk along pondering this new bird. WRONG!!!! It’s a mistletoe bird. First robins come in multiple colours and now birds with red breasts aren’t robins. I think I’m going to stick with penguins – they’re black and white and easy to identify.

 

Penguin Island by Paul Amyes on 500px.com
Little penguin or fairy penguin (Eudyptula minor). Penguin Island, Western Australia. Canon EOS 5d with a Canon EF 70-200mm f/2.8L IS USM lens and Canon x2 extender. Exposure: 1/250, f5.6 ISO 1600.

 

 

Paradise Regained

Back in September I wrote about the various birds nesting in the garden. Well autumn is now here and I thought I’d write an update. The white browed babblers have successfully hatched all their eggs which means there has been a population explosion. They are quite curious birds as they live in communal nests and have separate nursery nests as well which they all take turns in raising the chicks. Well now they are embarking on a building program to make a new communal sleeping nest for all the new adults. As a result these funny little grumpy birds are flying in building materials at a great rate of knots.

 

White Browed Babbler by Paul Amyes on 500px.com
A delivery of nest material from next door. White browed babbler, Pomatostomus superciliosus. York, Western Australia. Canon 6d with Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary lens. Exposure: 1/640 sec, f6.5 at ISO 500.

 

White Browed Babbler by Paul Amyes on 500px.com
Queuing on the landing branch waiting to unload. White browed babbler, Pomatostomus superciliosus. York, Western Australia. Canon EOS6d with Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary lens. Exposure: 1/640 sec, f6.3 ISO 320.

 

White Browed Babbler by Paul Amyes on 500px.com
Waiting to enter the building site. White browed babbler, Pomatostomus superciliosus. York, Western Australia. Canon EOS6d with Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary lens. Exposure: 1/640 sec, f6.3 at ISO 640.

 

 

We were also quite delighted to have a visitor. While we were talking one afternoon I spotted a Nankeen Kestrel hunting in the field opposite. It didn’t catch anything and left empty-handed. I thought that was that when I heard a bump from the TV aerial so we both ran outside to look, me with my camera and Helen with her binoculars. Sure enough the kestrel had decided our aerial would make a very good observation perch. It remained there quite unfazed for quite a while. It was only when I tried to get closer for a better photo that it decided to leave.

 

Nankeen Kestral by Paul Amyes on 500px.com
Nankeen kestrel, Falco cenchroides cenchroides. York, Western Australia. Canon EOS 6d with Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary lens. Exposure: 1/1000 sec, f8 at ISO 320.

 

Dry River Bed

Australian summers are hot and dry, and while we are not in a drought cycle like the Eastern States, it does get very warm here in York. 45º C is not unheard of. The hot weather and the lack of rain means that the Avon River largely dries up with the exception of a few deep pools, and so I often go walking along the dry river bed with Frida my faithful canine companion as it allows me to view quite a variety of wildlife that congregates around the pools.

Western Whistler by Paul Amyes on 500px.com
Female Western Whistler, sometimes called the Western Golden Whistler, (Pachycephala occidentalis). York, Western Australia. Olympus OMD EM10 with Olympus M.Zuiko Digital ED 75-300mm f/4.8-6.7 II lens. Exposure: 1/1000sec, f7.1 at ISO 500.

 

Southern Scrub Robin by Paul Amyes on 500px.com
A Southern Scrub Robin, Drymodes brunneopygia, achives vertical take off. The Nyoongar name is Djibot. York, Western Australia. Olympus OMD EM10 with Olympus M.Zuiko Digital ED 75-300mm f/4.8-6.7 II lens. Exposure: 1/1000 sec, f7.1 at ISO 500.

 

White-faced Heron by Paul Amyes on 500px.com
White-faced Heron (Egretta novaehollandiae). York, Western Australia. Panasonic Lumix G85 with LEICA DG 100-400/F4.0-6.3 lens. Exposure: 1/1000 sec, f6.3 at ISO 250.

 

Brown Honeyeater by Paul Amyes on 500px.com
Brown Honeyeater, Lichmera indistincta.The Nyoongar name is Djindjoko. York, Western Australia. Panasonic Lumix G85 with Panasonic LEICA DG 100-400/F4.0-6.3 lens. Exposure: 1/1000 sec, f6.3 at ISO 3200.

 

Sacred Kingfisher by Paul Amyes on 500px.com
Sacred Kingfisher, Todiramphus sanctus. Known by the Nyoongar as Koonyenok. Avon River, York, Western Australia. Canon EOS 550d with a Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary lens. Exposure: 1/1000 sec, f6.3 at ISO 250.

It’s not just birds we see, there are small fish in the ponds (difficult to photograph) and masses of different insects like this damselfly below.

Blue Ringtail Damselfly by Paul Amyes on 500px.com
Blue ringtail damselfly (Austrolestes annulosus,) at rest on the Avon River, York, Western Australia. Canon EOS 550d with a Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary lens. Exposure: 1/1000 sec, f6.3 at ISO 1250.

 

Frida usually takes my photographic hijacking of her morning walks with good grace. She usually waits for me either in some convenient shade or as shown below standing in some water. She’s not as daft as she looks!

Keeping Cool by Paul Amyes on 500px.com
Frida waiting patiently in the cool of a water pool.

The other morning we were quite surprised to have a fox pop out of the long grass on the river bank and on to river bed. Initially it took off, but when it saw that Frida wasn’t in hot pursuit slowed down and turned back. The fox and Frida then played a mad game of chase up and down taking it in turns to be the chaser and the the chasee. Quite delightful to watch. It was like the canine equivalent of Kevin Costner’s film Dances With Wolves. Unfortunately by this time the battery in the camera had run flat so I was unable to take any photos of this rather special occurrence. Although this being a predominantly farming community most round here would not regard it as such as they belong to the “only good fox is a dead fox” brigade. A couple of days later we went back to see if the event could be repeated and I had a pocket full of batteries to ensure that I got some photos. We did find the fox in the same location but this time both it and Frida were indifferent to each other and the fox disappeared into the undergrowth on the opposite bank. Again I stuffed up the photography and all I got was the slightly blurred image below. Perhaps we’ll try again.

 

Red fox (Vulpes vulpes) on the Avon River river bed. York, Western Australia.

The soundtrack for summer in the Western Australian bush is provided by Broome based band the Pigram Brothers and their track Dry River Bed provided the title and inspiration for this blog entry.

 

When your drifting on the ocean
and the sea is a perfect blue
But those storm clouds on the horizon
are keeping you true to who are you
So take me away ‘cross the spinifex plains
where the true mirage never ends
And the smell of the rain is a long way away
lay me down on my dry river bed
Don’t have no white picket fence,
don’t have no green english lawn
Just got heat waves dancing for me,
on the red dirt where I was born
Feel the heart of my country,
beating to them lonely blues
Gotta get back there, gotta get back there,
I’ll be back there real soon
Pigram Brothers – Dry River Bed
Music and Words: ( S Pigram/A, D, G, P, S Pigram, P Mamid)