… with flowers. Definitely not Julie Andrews and the ghastly singing Von Trapps.
When people think about Australian biodiversity and nature hot spots they automatically think of the rainforests of North Queensland, Kakadu National Park in the Northern Territory or Cradle Mountain-Lake St. Clair National Park in Tasmania. If prodded a little bit Western Australians might mention the Stirling Ranges National Park. But what if I were to tell you that there is a very significant region of biodiversity, a landscape that is still in its pristine state (i.e. has never been cleared) that is less than two hours drive from Perth? That it contains more than 1400 species of flowering plant, 24 of which are unique and not found anywhere else, there are 78 different species of bird, and there are ancient Aboriginal artefacts. So where is this place? Wongan Hills.
The name Wongan Hills comes from the Nyoongar Wongan Katta which means talking or whispering hills. The range of hills, which are about 10 north-west of the townsite are the largest single area of natural vegetation remaining in the northern wheatbelt. It is spring when everything happens – there is a truly spectacular display of wildflowers. I focus on native orchids and it is absolutely gobsmacking the number of different species and the sheer quantity of them. In the space of a morning’s walk around we found ten different species and they were totally new to me. Below are the fruits of that trip.
“Few things are as exciting as the idea of travelling somewhere else. But the reality of travel seldom matches our daydreams.”
Alain de Botton
I’ve never been a fan of mass tourism, but over the last few weeks I’ve been reading a lot about the negative aspects of it and in particular with what is happening to Venice. Apparently as many as 44,000 cruise ship passengers pour into Venice a day during the high season. That’s roughly 5 cruise liners worth. When we lived in Tasmania we’d get the boats pull into Hobart Harbour, thankfully just one at a time, and the passengers would be like a tsunami as they headed for Salamanca. I hate to think what 5 times that number would be like. Along with the negative impact that has on the local population and the environment there is also the fact would you really want to visit somewhere with another 44,000 people? It’s hardly getting away from it all is it? Then there is the whole thing of “Right you’ve got six hours in port and then we’re off to the next location”. Six hours following several other thousand people all traipsing round the same location, looking at the same few things only to herded up at the end of the day and taken somewhere else to do exactly the same thing the next day. It’s a gross version of the 1969 film “If It’s Tuesday, This Must Be Belgium”. It’s worthy of Dante’s vision of hell. So why do people do it and pay a fortune for the privilege? Essentially people do it because they are bored with the ordinariness of their life and want something out of the ordinary with a touch of luxury.
When I lectured in photography one of the most common complaints from students was that there was nothing to photograph in Perth or Western Australia. They wanted something new, something exciting something that they’d never seen before. The problem was photography’s history encourages that kind of thinking – we only have to look at the photographic tradition of the road trip established by the likes of Robert Frank and his eponymous book The Americans with its hip introduction by Jack Kerouac. Stephen Shore and Alec Soth amongst others have popularised it to the extent that it has almost become a photographic rite of passage. Indeed at a portfolio review at FotoFreo my reviewer actually said I should go on a road trip as a means of finding myself. But the thing is booking a package holiday to Bali or Vietnam is not going to work as all you will see are the usual tourist attractions and maybe you’ll take some photos of poor third world people. Invariably you return home and the photos get ignored and languish in a dark recess on your computer hard drive as they look the same as everyone else’s. They are not out of the ordinary. The British philosopher and writer Alain de Botton in his book The Art of Travel said “Then I realised that the problem with going away is that you take yourself with you.”
I would suggest that if you want to produce interesting work look to the ordinary and easily accessible. Many photographers have taken this path. Robert Adams documents the changing American landscape and in particular the spread of suburbia. Chris Killip,Sally Mann, and Larry Towell are all photographers who have done projects about ordinary things on their door steps and have produced extraordinary images. The American photographer Minor White once said “…all photographs are self-portraits.” so thereis no need to travel to find your self just keep exploring with your camera. The frequent retort from my students was that everything around them had been photographed before well White also had an answer for that “Everything has been photographed. Accept this. Photograph things better.”.
So what have I been doing photographically for the last week? Well I’ve been out to some local nature reserves, I’ve visited them many times over the last 14 years and it never ceases to amaze me that I always find something new. So I was delighted to find these two flowers.