Another shallow DOF shot. Supposedly impossible on m4/3s. Olympus Pen EP-5 with OLYMPUS M.60mm F2.8 Macro lens and Olympus FL-600R flash with Lumiquest softbox. Exposure: 1/50 s at f/2.8 ISO 200.
Another shallow DOF shot. Supposedly impossible on m4/3s. Olympus Pen EP-5 with OLYMPUS M.60mm F2.8 Macro lens and Olympus FL-600R flash with Lumiquest softbox. Exposure: 1/50 s at f/2.8 ISO 200.
Australia is not for the faint hearted. I always thought that moving to southern Tasmania from Western Australia would reduce the number of creepy crawlies that we’d find in our house. But no, since we’ve been here we’ve seen scorpions, snakes and spiders galore.
But since The Lord of the Rings, the Hobbit and the Harry Potter films I’ve become decidedly uncomfortable around spiders, especially the Huntsman spider shown above. They are on the largish side (the size of the palm of my hand) and it is the way they move that tends to puts the willies up me.
Now the little jumping spiders are admittedly not as bad as the huntsman. For one thing they are a lot smaller, less than 1cm long, and while hairy and their tendency to stare right at you can be off putting, you can in the right frame of mind think of them as cute. The fact that they don’t tend to come into the house also helps.
The Enamelled Back Spider is is almost jewel like in appearance and although they tend to build webs only 1metre from our front door they know their place and stay outside.
My partner does not like spiders at all so I am often dipatched with a rolled up newspaper or slipper to “deal” with them. As I protest and squirm I am often challenged with the phrase “What are you man or mouse?”. Well all I can say is “Pass the cheese!”.
I’m always amazed at what I can find in my back garden. This is just an ordinary suburban backyard and yet I seem to find something new to photograph on a weekly basis. If you pine for an African Wildlife safari but never have the coin I’d try getting out in the garden and seeing what you can find.
As always clicking on the image will take you to my online gallery.
Over the last few months I have been sharing about some of the features that I have found interesting with the Olympus m4/3s system. To me personally the remote control of flash and the wireless control of the camera are exciting, not necessarily in the form that they’re in now but in what they herald for the future. I know I talk a lot about the old days but I think its important to know where we have come from in order to understand the potential of modern equipment. I am as I keep saying a very promiscuous photographer – I rarely stick to any genre for long and photograph what gives me pleasure and interest. At the moment I’m taking photos of the wildlife we find in our garden to document it because my wife has joined gardens for wildlife and because I’m lazy and like taking photos close to home, The following are just some photos of birds that can be found in the garden.
With the modern technology we have at our disposal taking these pics was straight forward. When we look at the work of pioneer ornithological photographer Eric Hosking and see the amount of kit he had to set up to take similar types of photos it is quite staggering. Examples of Hosking’s work can be seen here.
Now an EM-10, a telephoto zoom, a couple of flash lights and an iPad takes the place of a van load of stuff. I decided to put the kit to the test and then Mother Nature sank my plans. Here in the island paradise of Tasmania we are in the middle of what is laughingly called summer. The last few days it has been sheeting down and blowing a gale. In fact the weather has been so bad that 120mm rain fell overnight and this morning on my daily perambulation I had to wear a fleece and a soft shell water proof. As you can imagine the local wildlife isn’t too keen at putting in an appearance and I doubt that any equipment setup outside would last long. So in place of the local wildlife you’ve got me showing you how to do a hi-tech selfie. My wife would probably say that there is no difference as I’m pretty feral!
OK having done this what have I learnt? Well first of all using WiFi and the RC function uses power like a trust fund baby spends money. Setting up is easy but the amount of control offered by the Olympus Image Share App is very basic. You can control the exposure but you can’t get access to the Olympus Super Control Panel and that means that you still have to access the camera itself if you want to change your lighting ratios or switch from TTL to manual or vice versa. Although the camera is connected to the iPad via WiFi you still have to physically touch the screen to trigger the camera. So in future what would I like to see, well to start I’d like to have access to the SCP via the app so I’ve got more control over the camera and lights. Secondly I’d like to have more options to trigger the camera. At the moment I can’t use the ioShutter™ as my Olympus cameras have a proprietary connection to allow the use of a remote cable, so I’d certainly welcome either Olympus or the makers of ioShutter to make a remote that allows me to trigger the camera via sound or with a light trigger. I really think that we’re just at the very start of connectivity when it comes to cameras. Back in August 2012 I wrote about shooting using my Canon EOS5d tethered via a USB cable to a laptop and using Lightroom. Now I can do the same and more but wirelessly using a mobile phone or tablet. I hoping that in 2 or 3 years time we’ll see the functions I’ve talked about here.
Apologies firstly for the lateness of this follow-up piece – I’ve been having problems with my internet connection and also the technical support at my provider, iiNet, managed to disable my computer with a piece of remote login software. Anyway after a few anxious days thanks to Apple support, a re-install of OS X and then all my other software and I’m back in business. Secondly I’d like to apologise for the sound quality on the video. I had to use the reference sound recorded on camera for the soundtrack because the cable from my mic to my external recorder went bung. Technologically speaking it has been a trying week at the world headquarters of Paul Amyes Photography (PAP).
I would also appreciate some feedback. If enough people think it would be beneficial I am prepared to re-publish this and the last article as a free iBook available through the Apple iTunes store. Obviously the material would be mainly written and with photographic illustration and not have the video content you see here. So please let me know if this is something you’d like to see.
Camera systems are often measured by their range of lenses and flash units consequently it is Canon and Nikon that are the benchmarks. But when it comes to flash Canikon actually use a lot of Olympus technology. So before we get to the review of the FL-600R we’ll have a look at just what Olympus pioneered in flash photography and how that relates to its current M4/3 system.
One of the reasons why I first bought into the Olympus OM system back in 1983 was the flash system. For its day it was revolutionary and Canon and Nikon didn’t have anything like it. The OM2 was the first camera to have TTL metered flash. For those who have only ever known TTL flash you won’t believe how significant this was. It meant an end to worrying about guide numbers and subject distance, of getting lots of washed out looking images or hopelessly under exposed shots where the metering cell in the flash was confused by the amount of light reflecting back at it. All of a sudden we were able to get accurate flash exposures time after time. In 1986 Olympus launched the OM4Ti and the F280 flash gun. This combination was the first time full flash synchronisation at all shutter speeds on a camera with a focal plane shutter. Instead of firing a single light emission when the flash was used in conjunction with a shutter speed higher than the flash sync speed of 1/60 sec the F280 fired a series of short bursts starting when the first shutter curtain opened and finishing when the second closed. This was a big deal to wedding photographers as it meant that getting TTL high speed sync meant that fill flash was easy and didn’t involve spending a fortune on medium format cameras who were equipped with lenses that had leaf shutters.
With the M4/3 system Olympus is able to offer advanced flash features, and the good news is that these features (with some exceptions) are largely carried over to other cameras made by the Micro Four Thirds Consortium and that means Panasonic and Leica can use the same flash units. Using flash in M4/3s is very straight forward, the problem is Olympus seems unable to communicate that and continues their bad habit of poor instructions and obtuse menus. So help I’ll quickly run through using the system with both on camera and off camera flash. There are 3 different metering modes for flash:
i) manual flash – which is a bit of an oxymoron as there is no metering
ii) auto flash – this is where the flash out is controlled by a sensor on the body of the flash unit. The flash fires at full power and the sensor measures the amount of light reflected back from the subject and quenches the flash emission. The results on camera can be quite good, but its biggest failing is when the flash is being used off camera.
iii) TTL metering – this where the light from the flash is metered as it is reflected back through the lens. It offers the most convenient form of flash usage, but suffers from all the problems of any reflective metering system i.e. it can be fooled by excessively dark or light subjects. Olympus have tuned their metering system to protect the highlights for jpg users so the images can look under exposed. This is where the flash exposure compensation settings come in handy, and I’ll get around to explaining that shortly.
To get the most bang for you buck with the Olympus flash system I would suggest making the following changes to how your camera is set up. Go into the main camera menu and scroll through till you get to the cog wheel icon. This is the “Custom Menu” selection. Activate it and scroll down to Custom Menu F and here you can set the following settings:
i) The flash sync speed. I set this to the fastest that is available, which on my EM-10 is 1/250 sec. Although the flash guns like the FL-600R and FL-36R can’t use this setting the pop up flash or the little flash accessory that comes with all Olympus models without can. It is very handy for a little bit of fill flash on bright days.
ii)Next you have a slow limit for when you use aperture priority mode. I like to use slow sync flash for creative effects so I have mine set to 30 seconds, but you may just want to limit the shutter speed to what you can comfortably hand hold. The range goes from 1/250 sec to 30 seconds.
iii) The most important setting. Whether you have Exposure Compensation and Flash Exposure Compensation linked. I choose to have this set as off. The reason why is I shoot primarily in aperture priority and use exposure compensation to make adjustments to the image in tricky lighting. But when using flash being able to use these separately adds another creative string to your bow. The reason is that you are then able to alter your flash exposure and your ambient light exposure separately. I do a lot of shots where I mix daylight and flash and there are times when I want the flash to the main light (or key light) and day light (or ambient light) to be the fill light. If come from using the Canon flash system you’ll definitely want to do this, if you are used to Nikon then leave them linked.
The Olympus flash system is controlled through a combination of the controls on the flash unit and through menu choices in the Olympus Super Control Panel (SCP). The controls on the flash can vary from very simple with just a couple of buttons to push or have quite a sophisticated menu system, it all depends upon the model flash. My Metz 44AF-1 has a grand total of five buttons and no LCD screen while the FL-600R has four buttons, a dial and a rocker switch to make changes through a menu system using an LCD display. Thankfully after a few choices initially the main controls are then managed via the SCP. Herein lies Olympus’ problem – the default factory setting for any of Olympus’ m4/3 camera is not to have the SCP enabled and their instruction books are so poorly written that it isn’t very clear how to do this. Personally I feel that the Live Control Panel, which is the default setting should be abandoned and the SCP should be the only interface to control the most frequently used settings. I also feel that some of the flash control settings aren’t needed and the menu could be simplified. Prior to using m4/3 I used the Canon EOS system and its flash system when used in conjunction with a fully dedicated flash and the Quick menu was simple to use and very intuitive. When I first started working with m4/3 and looked at the flash system my first reaction was to not use it and keep using the Canon cameras for flash. With time I have now switched to using m4/3 for everything. To change to the SCP, if you have not already done so, switch your camera on and press the OK button. This brings up the LCP. Press info and this changes to the SCP as shown below.
If you select the flash section in the SCP as is highlighted above you can cycle through the various flash options.
Auto TTL. Here the flash fires automatically when there is low light or the subject is backlit.
TTL Fill Flash. This is where the flash fires irrespectively of lighting conditions.
TTL Auto with red eye reduction. If you are shooting portraits with the flash on the camera this is the mode to use.
Slow speed flash for shutter speeds 60 sec to 1/200
Slow speed sync with red eye reduction.
Slow speed sync with second curtain synchronisation. This means with moving subjects the light trail is behind the subject rather than in front of it as occurs with normal slow speed sync.
Manual – this is where the photographer decides to control the flash by either increasing or decreasing the out put. 1 is full power, 1/2 is half power, 1/4 etc. Manual mode must also be selected on the flashgun.
When shooting in TTL mode the meter reads the amount of light reflected back off of the subject to determine the “correct” exposure. As mentioned previously the problem with reflective meeting is that certain tones or surfaces can fool the meter into over or under exposure. This can be corrected for in the SCP by using the flash exposure compensation. The photographer takes an initial photo and reviews it on the LCD, I prefer to do this using the histogram, others swear by the shadow and highlight blinkies. The flash out put can be adjusted by up to + or – 3 stops. The adjustment just effects the flash output and not the global exposure value. This can also be used for creative effect particularly when shooting portraits outside in strong sunlight. Using full TTL flash when combined with the sunlight can give an unnatural look as there will be no shadows on the face, dialling in -1 or 1 1/3 stops preserves the shadows but allows us to see into them. It can also give a pleasing catchlight in the subjects eyes.
The non TTL modes of the flash must be selected on the flashgun itself. If you are using the Olympus FL-50R, the FL-36R or the FL-600R (and certain other third party models) you can shoot in FP mode in either TTL or manual modes. This means that you can shoot at shutter speeds higher than the maximum synchronisation speed (between 1/180 and 1/250 depending upon camera model) all the way up to your maximum shutter speed of 1/4000 sec (or 1/8000 for the EM-1). This a boon for shooting portraits out doors using fill flash. However, as with anything in photography there is no such thing as free lunch and the trade off for this is a reduction in the flashes output. Shooting a head and shoulders portrait with a 45mm lens using the FL-50R, the FL-36R or the FL-600R and you should be fine. Full length portraiture and you could be struggling.
Olympus provides two ways of using flash off of the camera:
i) Olympus Flash Extension Cable FL-CB05, which at $144 AUD is ludicrously expensive. I bought an Aputure AP-TLO TTL cable for $25 AUD including postage off of Ebay. This is handy if you want to use a flash bracket to just get the flash away from the axis of the lens so as to prevent red eye or you want to do some close up or macro work and don’t want to buy a separate flash for it. If you are using an Olympus flashgun you will have to change the custom settings for the flash to enable this.
ii) Remote Control or RC mode. As long as you have a model that was introduced after June 2011 when the EP-3 was announced and an Olympus Flash with the letter “R” at the end of the model number or a third party unit fully compatible with current Olympus TTL protocols including wireless, then you are good to go.
Generally there is a lot of confusion about the RC mode because it is also referred to as wireless by Olympus and people assume therefore it a radio trigger. In fact the system works off a near invisible flash pulse from the control flash. This has a couple of downsides. The first being that the sensor on the remote or slave flash must have line of sight communication with the master control unit so this limits where you can put the remote and precludes the use of certain types of light modifiers. Secondly The range isn’t very great. Olympus says that it is 5-7m depending upon the “local conditions”. What I have found that you’ll only get 7m inside, outside in very bright sunlight the performance is very much reduced and in some cases will not work at all.
To use RC mode, first you have to go into Shooting Menu 2 in the main camera menu and turn it on. This now enables the flash control menu in the Super Control Panel. To access it you either need to pop up the built in flash on your camera, or if you don’t have one then put in your accessory flash FL-LM2 in the camera hot shoe or use a larger external flash that has RC controller capabilities. Then access the SCP panel as normal.
The blinking camera icon is for controlling the onboard flash. It can be set to TTL, manual ( full power down to 1/64) and off. I generally leave it as off because when I use RC mode I don’t want the onboard flash contributing to the exposure. Even though it says off the flash still emits a series of pulses of nearly invisible light to transmit information to the slave flash units.
The FP box is highlighted here. The choices are FP or high speed sync (remember that this is a function of the flash and so your flash must have this ability to use it), and normal flash sync. Underneath is an icon that looks like the camera is shaking because it has had an electric shock. That sets the the intensity of the light pulse of the commander unit (Low, Medium, and High) I leave mine at high all the time as it is then one less thing to worry about.
It is important to ensure that both your RC controller and your slave flashes are set to the same channel. In the event of several m4/3 users wanting to all shoot with RC flash at the same time you can set up so you use a different channel.
You can have three groups of flash and although Olympus states that technically you are not limited to how many flashguns can be in a group they also say that three is probably the limit due to “interference” (page 36 of the English instruction manual for the FL-36R). Here I have A and B activated in TTL mode.
You can also use the manual exposure for flash in RC mode and you can set the power output via this panel. This is a very nice feature if you have your lights set up on stands you don’t have to keep walking over to the light and fiddling with it you can do the adjustment from your camera.
RC Auto lets you trigger the flashes remotely but the metering is done by a cell on the flash and it measures the light reflected back from the subject. Not a mode I could see myself using as it is quite an imprecise way of working and TTL or Manual offer far more control and consistent results.
So although it seems complicated the Olympus flash system offers an impressive range of features that allows for creative lighting techniques. With a small range of lighting modifiers such as diffusers, bounce cards, umbrellas etc you are able to produce “professional” looking photos.
The video below is a summary of the above.
The next part of this will look at the FL600-R flashgun and how to specifically use that in conjunction with a m4/3 camera.
Just playing around with the high-speed sync on my Olympus EM-10 and Olympus FL-600R flash gun. Lens was the Olympus Zuiko 60mm f2.8 macro and the exposure was aperture priority with high-speed flash sync 1/640 s at f/4.0 ISO 400.
* Honey Bee by Stevie Ray Vaughn and Double Trouble
I first got my Olympus 60mm macro in May 2013 and wrote about it here. It is an amazing lens, but I was using it initially on an Olympus Pen EP-2 with the less than stellar 12Mp sensor I really wasn’t seeing what the lens was capable of. The picture of the mosquito on the Leopard orchid above was taken with the same lens but now mounted to an OMD EM-10 with the latest iteration of the 16Mp sensor. Tripod mounted and using flash I can now see how much detail the lens is able to resolve – you can see the hairs on the leg of the mosquito. Up until this morning when I processed the shot I never knew that mosquitos have hairy legs.
The other thing that I’m really taken with is the Olympus flash system. When I migrated from Canon I was particularly concerned about the flash capabilities and it was one of the reasons why I held onto my Canon kit. Now I have two dedicated speedlites for my Olympus kit, a Metz 44-AF1 (which I really do like) and a newer Olympus FL-600R (which I’m still getting to grips with and will be the subject of a separate blog entry a little later on). Like most things Olympus when you initially use the flash system the choices offered are quite daunting, but once you’ve set everything up it really is quite easy to use. The remote control for off camera flash is very sophisticated and make it very easy to get good results. Its only down fall is that it is radio controlled and there are no reliable third-party TTL radio controlled flash triggers. The day they arrive the Canon equipment will go.
The above shot shows how I had my camera set up to take the shots of the leopard orchids. The flash and the camera are mounted to a Custom Brackets Mini-RC via Manfotto quick release plates which makes setting things up a quick and easy affair. The TTL cable is by Aputure and was only $30 and the flash modifier is a cheap Chinese no name knock off of a Rogue FlashBender that I got off eBay for $5 including postage. What I like about it is that it is easy to use either handheld or tripod mounted.
As usual clicking on a photo will take you through to my online gallery.
* Apologies to Bob Dylan
It’s getting near to that spooky time of year again – Halloween. So get you pumpkin lanterns ready.
Or you could just spend the night reading something magical.
As usual you can click on the images to be taken to my online gallery.