Gnomesville – the return

I first went to Gnomesville in January 2018. It was a fun experience and I used it to experiment with mounting some of my vintage (that makes me feel very old as I bought these lenses new) Olympus OM Zuiko lenses on a Sony A7r2. Well just recently we were in Balingup which isn’t far away and my partner expressed a desire to visit as she had never been. So we duly went. 

This time round I was still taking the same OM Zuiko lenses, but they were being used with an Olympus OM40 film camera. The film stock I was using was the new to me Ilford Ilfocolor 400+ Vintage Tone colour negative. I must say I didn’t really understand what I was letting myself in for with this film. It has a very distinct look – muted tones with the reds boosted. More by chance than judgement the film suited the gnomes. Whether I continue to use the film stock is another question. The problem being is that the look is baked in and it doesn’t suit all subjects.

 

Gnomesville by Paul Amyes on 500px.com

Welcome to Gnomesville.

 

Gnomesville by Paul Amyes on 500px.com
Gnomesville etiquette.

 

Gnomesville by Paul Amyes on 500px.com
Not all gnomes are happy to see human visitors.

 

Gnomesville by Paul Amyes on 500px.com
There’s no COVID vaccination for gnomes.

 

Gnomesville by Paul Amyes on 500px.com
Gnomes by the thousand.

 

Gnomesville by Paul Amyes on 500px.com
Gnome meditation.

 

 

We’re Off To See The Show

Not The Wild West Show, but the York Show. We’ve lived in York for nearly twenty years and this was the first time I’d been. The York Show is your typical Australian country town agricultural fair. There are displays of livestock, trade stands for agricultural machinery, arts and crafts exhibitions and awards, and most importantly for the kids a bit of a fun fair with a fireworks display in the evening. I didn’t really know what to expect, so I took my Olympus OM40 and two lenses – a 35 and a 135. I loaded up with Ilford XP2   and decided to photograph anything that took my fancy. The show was held in September and it’s taken me this long to get the film developed and scanned. The following are just a few of my favourites from the day.

 

2024 York Agricultural Show
The York Agricultural Society presents the 2024 York Show.

 

Laughing Clowns #2
Laughing clowns sideshow attraction at the York Agricultural Show.

 

Getting Crazy On The Waltzers
Getting Crazy On The Waltzers. Enjoying the thrills of a fairground ride.

 

Be-ewe-tiful!
Be-ewe-tiful!

 

The Coffee Queue
Queuing for a coffee at the York Agricultural Show.

 

Shootin' Gallery
Contestants try their luck on the fairground shooting gallery,

 

Ponies #3
Everyone stopped to admire the ponies. York Agricultural Show.

 

2024 York Agricultural Show
The queue at the entrance to recreation grounds where the York Agricultural Show is held.

 

The Plushy Wall
“Now which one shall I have?”. The Plushy Wall at the York Agricultural Show.

 

Start Them Young
Start Them Young. Trying out the latest John Deer. York Agricultural Show.

 

 

 

 

State Route 120

State Route 120 is perhaps better known as the Great Southern Highway. It is the road that takes you to York once you leave Perth via the Great Eastern Highway. I always breathe a sigh of relief once we turn onto it because it means we’re leaving the madness of Perth and returning to our quiet country existence. I love driving down it watching the forest change gradually from Jarrah to Wandoo.  The other thing I look forward to is the art work you see. For the last twenty or so years people have been decorating some of the trees. It maybe a complete paint job of a long dead tree or it maybe a small painting on board or sheet metal that has been attached to a tree.  Every now and again a new piece turns up and its always a pleasant surprise.

 

 

 

State Route 120 by Paul Amyes on 500px.com
Dave Minion. Great Southern Highway, Western Australia.

 

State Route 120 by Paul Amyes on 500px.com
Australian Easter Stump. Great Southern Highway, Western Australia.

 

State Route 120 by Paul Amyes on 500px.com
Startled stump. Gret Southern Highway, Western Australia.

 

State Route 120 by Paul Amyes on 500px.com
Mary has seen better days. Great Southern Highway, Western Australia.

 

State Route 120 by Paul Amyes on 500px.com
Tipper is not what he used to be – his ears have been broken off. Great Southern Highway, Western australia.

 

State Route 120 by Paul Amyes on 500px.com
Happy to see you. Great Southern Highway, Western Australia.

 

State Route 120 by Paul Amyes on 500px.com

 

 

State Route 120 by Paul Amyes on 500px.com
Lucky The York Tree. Great Southern Highway, Western Australia.

 

I was feeling a bit of a loose end. The weather has been unpleasant and I didn’t feel like going out to photograph wildlife or wildflowers. I suddenly had the bright idea of documenting the art along the Great Southern Highway. To make it more interesting I decided to use some of my old classic film era Olympus lenses – specifically the OM Zuiko 21mm f3.5, the OM Zuiko 35mm f2, and the OM Zuiko 135mm f2.8 – on my Sony A7r. The whole process of framing up, setting up a tripod and manually focusing the cameras and carefully making the exposure is the complete antithesis of photographing birds and it made a nice change.

A Long Sunday Afternoon

Looking through the Olympus OM Zuiko 135mm f2.8 lens at an Olympus OM 40.

 

It’s 40ºC outside and in an attempt to stave off cabin fever I’ve been playing around with a lens and a camera on the dinning table. It’s kept me entertained for 30 minutes. I wonder what I can do now?

Is Bigger Better?

A visual representation of the differences in sensor size.

Since 2011 I have been primarily a micro four thirds (m43) shooter supplemented by occasional full frame usage. Until about 18 months ago I was very happy with my choice. I accepted that the benefit of a lighter more portable camera system would come at the cost of reduced megapixel count, reduced dynamic range, and high ISO performance that was less than stellar. But now I have this desire to return as it were to the full frame fold. The reason why is that I sell prints and I felt that if I had a camera with better dynamic range  and more megapixels then I would generate more sales. This belief was what was really behind my recent dalliance with the 42Mp Sony A7r ii.

Canon EOS 550D with EF75-300mm f/4-5.6 IS USM lens. Exposure: 1/100, f8 at ISO 400.

 

Olympus EM 1 mk ii with Panasonic Leica 100-400mm lens.

 

Sony A7r with Olympus OM Zuiko 135mm f2.8 lens. Exposure: 1/1000 sec, f4, at ISO 200.

 

Canon EOS 6d with Canon EF100mm f/2.8L Macro IS USM lens. Exposure: 1/100 s at f/11.0 at ISO 1600.

The other day I started going through my statement for print sales for this year and surprisingly I’d had a very good year which buoyed me up considerably. When I started looking closely at what images had sold and what they were taken with I made a startling discovery. Full frame made up 26%, APSC came in at 26% and m43 took 48%. In terms of Megapixels:

  • 36 Mp + 6.66%
  • 20 Mp 33.33%
  • 18 Mp 26.66%
  • 16 Mp 6.66%
  • 12 Mp 13.33%

Intrigued I decided to look at print sales going back to 2004 when I went digital and the results were as follows:-

  • Full frame 34%
  • APSC 14%
  • m43 37.5 %
  • Compact cameras 5.5%
  • Mobile phone 1.5%
  • Scanned film 7.5%

My two best selling prints of all time were taken with a Panasonic Lumix FX-01 which was introduced all the way back in 2004 had a sensor that measured 6.4mm x 4.8mm and had a whopping 6.4 Mp of resolution. It also suffered badly from noise at anything beyond 100 ISO and had a very limited dynamic range.

 

Panasonic Lumix FX-01

 

Panasonic FX-01

 

Dropped from use. The Panasonic FX-01 was a 6Mp camera introduced in 2004.

 

Moving beyond prints sales to look at PR and editorial work I’ve never once had a complaint about image quality or size. So do all these buyers of my images know something that I don’t? Well I think that they’re not looking at the images as photographers, they are looking at the subject and how it makes them feel. When photographers look at images they see all the technical deficiencies and then think they need better cameras and lenses. When we look at new gear we always see the promise of more resolution, more frames per second, more dynamic range. The manufacturers know that we’re easily seduced by bigger numbers and they play to our insecurities.

So in the light of this do I need a bigger and better camera? Need – no. Want – yes. But needs and wants are two different things. What I’ve got is perfectly adequate and so perhaps the answer to generating more sales is, therefore, taking more pictures with appealing content.

Jaundiced

 

York and its surroundings have have taken on a definite yellow tinge of late. This is mainly due to the canola crops in the fields but soursob and yellow daisies are also to blame. It’s not a warm and inviting yellow but rather a green tinged acidic looking yellow. Nevertheless it sends the tourists wild and as you drive round you can see countless people standing in canola fields having their picture taken or taking a selfie even though many of the fields have signs up asking people not to. I don’t know when this became a trend – I can’t remember people doing this when I grew up in Kent and Sussex. Mind you back then it wasn’t canola it was oil seed rape. I think it’s probably got something to do with mobile phones and Instagram, but as somebody who has only just started an Instagram account I can’t be too certain of that so don’t quote me.

 

 

Oh did I mention I’ve now joined the 21st Century and got an Instagram account? I’m not really au fait with it yet. That’s probably because I don’t really like messing about with images on my phone – I’d rather do it my computer but Instagram won’t let you upload from a computer. If anyone knows of a way to load photos to instagram from a desktop please let me know.

Olympus Has Fallen

Not the dreadful film, but the camera company. On the 24th June 2020 Olympus announced that they were in talks with Japan Industrial Partners to divest themselves of their camera business after three continuous years of losses despite numerous restructuring attempts. I’ve got no idea what all this means from a practical point of view, but from an emotional point of view it is quite a sad day. I’ve always considered myself to brand agnostic and have used over the years Praktika, Pentax, Minolta, Canon, Leica, Voigtländer, Sony, Panasonic and of course Olympus. But I’ve got to say that over the last 38 years I’ve always had at least one Olympus camera. More than just a few key moments in my life have been documented by an Olympus camera.

 

My first Olympus camera was an XA2. This is the XA4 I bought later to replace it, they look very similar, the major difference being that XA2 had a 35mm lens while the XA4 had a 28mm macro lens.

 

 

Portrait of me in Majorca taken in March 1986 by my father in law, Brooke Spencer. Probably taken with a Leica R4 with a Leica 135/2.8 Elmarit-R on Kodak colour negative film. I’m holding my OM1n with 35-105 lens.

 

I bought my first Olympus camera in 1982 after returning back home from an extended stay in Israel where I got into taking photos. Previously I had a Kodak 110 cartridge camera and when I got the films back from the processors I was dismayed with how crap they looked. I was determined that on the next trip I would take a much better camera. So after a trip to the newly opened Whibys camera shopping Chichester and a long and informative chat with the owner Derek Whitby I left with an Olympus XA2 – a unique 35mm clam shell compact camera. I kept going to Whitby’s until 1988 which was when I migrated to Australia. In that time Derek went on to sell me an OM20, OM1n, OM2n, OM4 and my partner an OM40. Along with those cameras was wheelbarrow load of lenses, some very specie flashguns for the time and a shed load of film. I’m glad their business is still going although Derek and his wife Jacqui no longer run it. The cameras kept marching on and were perfect for my travels being small, durable and highly featured for their time. The lenses were also compact and gave great image quality. I’ve still got most of the lenses and still use them, and I’ve written about them on this blog ( 21mm f3.5, 24mm f2.8, 35mm f2, 50mm f1.4,135mm f2.8, and 35-105mm f3.5-4.5).

 

Believe it or not that’s me in Red Square, Moscow in January 1987. The temperatures were -40ºC. You can just about see my camera bag slung over my shoulder. In it is an OM1n, an OM2n, a 35-105mm, a 50mm f1.4, a 200mm f4 lens a T32 flash and a T20 flash. We went to document the plight of Russians in Moscow and Leningrad (now St Petersberg for a human rights campaign that was to be launched later that year at the House of Commons in London). The cameras worked flawlessly in the cold. The photo was taken by my wife on an Olympus AF1.

 

 

My earliest selfie – taken in September 1987 while I was staying with my in-laws just prior to departing for India and Nepal. The camera is an Olympus OM4 with an Olympus OM Zuiko 35-105mm lens. Originally shot on Ektachrome 200 but converted to black and white because of fading.

 

Yours truly on a house boat on Lake Dal in Srinagar, Kashmir, India. I’m wearing a Camera Care Systems pouch with my Olympus OM4 in it. Taken by my partner with her OM40 and 35-105 lens.

 

In 2003 I shot a couple of weddings and my OM4s developed problems, one the shutter failed and the other the film advance jammed. I took them to the local camera whisperer but he broke the bad news to me – there were no new spare parts. He said I could by up some old models and use them as donor cameras but there was no guarantee as to the condition of the parts and how long they would last. To say I was gutted would be an understatement. This came a a particularly bad time for me, I was recovering after a bad accident and was pretty broke. I had enrolled at college to study photography as a form of therapy and now I was pretty well camera less. My late father-in-law (Brooke Spencer) in an act of supreme kindness stepped into the breach. He had just bought a Canon EOS D60 digital SLR and he sent me his old EOS3 film SLR and a couple of lenses. I now had a camera to complete college with and had inadvertently changed system. I went digital with Canon but I wasn’t really happy with it. I found the Canon EOS system to be large, heavy and cumbersome. About this time I fell into writing about and photographing outdoor activities and then was commissioned to write a walking guide. Well after a year lugging a Canon 5d and three lenses on over 1000Km of walks I knew I needed something lighter.

The Canon EOS system full monty. Three bodies, seven lenses, two flashes, flash meter, filters, cables, flash triggers, and reflectors. It is a hernia inducing load.

 

This is the camera kit I used on my first walking guide book. Less hernia inducing than the Full Monty, but still coming in at 7Kg including filters and batteries.

 

When I saw the Olympus Pen EP1 in 2009 I was smitten, but it didn’t have a viewfinder so I held off buying one. Less than a year later Olympus introduced the EP2 and I got one. The next guide book was done with an outfit based around that camera and a a few lenses and I was much happier.

 

Coming in at under 2Kg complete with batteries, filters, microphone and assorted cables for video. This kit still gives me coverage from 24emm to 300emm with 1:1 macro and a smallish prime. All that’s missing is flash.

 

Here I am pausing to take a photo with EP2 while walking up Frenchman Peak in Cape Le Grand National Park, Western Australia.

 

Over the last ten years I’ve heard a lot reasons from keyboard warriors on various photographic forums why the micro four thirds format that Olympus and Panasonic used was inferior to full frame sensors and that you couldn’t get work published if you used it. Well after three books, two exhibitions and loads of print sales no one has ever said the image quality was not up to snuff. Unfortunately photography is an activity dominated by very conservative men who see a small camera, no matter how capable, as being an affront to their masculinity. So Olympus was sandwiched by the small minded conservatives that wanted big cameras and at the other end the onslaught of the do anything mobile phones which now have very good photo and video capabilities.

 

The Canon EOS6d with Sigma 150-600mm lens compared to the Panasonic G85, which uses the same sensor format and lens mount as Olympus, with the Panasonic Leica 100-400mm lens. The Panasonic has great reach, better video, the same number of megapixels, weighs less and costs less.

 

The Canon EOS 6d camera with 100mm f2.8 macro lens that I used to use for photographing orchids alongside the Olympus EM 1 mk ii with 60mm f2.8 macro lens that I use now. Both produce amazing images, but the Olympus is a lot nicer to carry through the bush all day.

 

 

As I said at the beginning of this piece I have no way of knowing what will happen. Maybe JIP will turn the company around and make it it profitable and innovative. Maybe they’ll just asset strip and close it down. The company does both. I hope it is the former, but if it is the later I guess that this a eulogy for Olympus. But whatever may happen my current Olympus cameras have plenty of mileage left in them and if I can get another 10 years out of them, and at this stage I don’t see why not, then I’ll be very happy.

 

They See Everything

Deep Water Point Walk by Paul Amyes on 500px.com
The three pelicans sculpture on top of the Caltex Service station in Applecross, Western Australia. Sony A7r with Olympus OM Zuiko 135mm f2.8 lens.

 

A Gnome Among the Gumtrees*

I’m always pleasantly surprised by the things I find while pootling along the back roads of Western Australia. Last weekend was a case in point. I was driving along the bucolic Ferguson Valley in the south-west of the state when I came across something that just expressed a sense of spontaneous anarchistic fun. That something was Gnomesville. We’ve all seen garden gnomes haven’t we? You know those kitsch garden ornaments usually made out of plaster and sometimes out of cement that can be found in gardens all over the world. Usually they are seen singly, occasionally in twos or threes. Sometimes you come across a garden that has maybe a couple of dozen and that is regarded as a bit OTT. So imagine a place with thousands of gnomes. That’s right thousands. The exact number is not known, but some reckon the figure could be as high as 5000. They are not in a garden, it’s not some commercial tourist attraction. Gnomesville is found on the verge by a roundabout in a very rural setting.

 

Gnomesville by Paul Amyes on 500px.com
Welcome to Gnomesville. A small gathering of the inhabitants. Western Australia. Sony A7r with Olympus OM Zuiko 35mm f2 lens. Exposure: 1/60th sec, f8 at ISO 320.

 

The whole thing is absolutely bonkers. So how did it start? Well there is the legend of Gnomesville which is as follows:

“A long, long time ago, a Gnome was travelling on an Australian country road. It was at night and far from anywhere. All around was leafy and green. A pleasant place.

By and by, he came to a fork in the road. He followed the road, which seemed to go around and around.

Now, being a little person, he could not see over the curb. If he did, the story would have ended here.

He walked all night with the feeling he was going nowhere. Roads branched off every so often.
By the morning, he was exhausted. Then it was clear. He had come across a ROUNDABOUT—a circular intersection in the middle of (almost) nowhere.

This was something he had never seen as a country traveller.

But it was a nice place and reminded him of home. There was a bubbling brook and shady trees.
So he stayed a while. And another while. Other Gnomes passed and visited, and many stayed. Word passed around.

Gnomes from far and wide left their gardens and came to visit. But they stayed. This was something new for the mostly solitary Gnomes. There was something irresistible about the place. It was as if the ROUNDABOUT was casting a spell.

But that is another story…

So Gnomesville was born.”

© Gnomesville, Peter Terren.

 

Gnomesville by Paul Amyes on 500px.com
Peak hour in Gnomesville. Western Australia. Sony A7r with Sony FE 28-70mm f/3.5-5.6 OSS. Exposure: 1/200th sec, f4 at ISO 200.

 

For people who need the real actual true story well Kevin and Vicki Campbell were a local couple who played a large part in the creation of Gnomesville. The local shire had annexed some land from a neighbour to create a T junction at the bottom of a hill. The local residents weren’t too keen as they felt that it would be unsafe. So after a public meeting and some toing and froing it was decided that a roundabout would be built instead. Not long after a gnome appeared in a hollow tree by the roundabout. It was in fact the very spot where Vicki used to leave her bicycle when she caught the school bus as a child. It was the start of a gnome sit in protest. Soon there were twenty gnomes all showing solidarity. And so Gnomesville was born. I prefer the legend. Now people come from quite literally all over the world to leave a gnome. When I was there a young couple with their son had come all the way from Malaysia to leave a gnome. There are Dutch gnomes, gnomes from Japan, even from Finland. Gnomesville is a very cosmopolitan place.

 

Gnomesville by Paul Amyes on 500px.com
Gnomesville attracts gnomes from all over the world. This is the Japanese contingent. Gnomesville, Western Australia. Sony A7r with Cosina Voigtlander 15mm f4.5 Super Wide-Heliar lens. Exposure: 1/60th sec, f8 at ISO 400.

 

So if you are in the vicinity of Bunbury and are kicking your heels wondering what to do take a drive out to the Ferguson Valley and enjoy the sights of Gnomesville. You could even stop off and buy a gnome to leave there.

 

Gnomesville by Paul Amyes on 500px.com
Warning – gnomes crossing. Gnomesville, Western Australia. Sony A7r with Olympus OM Zuiko 35mm f2.0 lens. Exposure: 1/160th sec, f2.8 at ISO 200.

 

*apologies to Wally Johnson and Bob Brown for corrupting the title to their all time Aussie favourite song “Home Among The Gum Trees”

If you are not an Aussie and you are left somewhat puzzled by the lyrics then an explanation can be found at http://alldownunder.com/australian-music-songs/home-among-the-gum-trees.htm