Like many people at this time I’ve had my movements curtailed. Where I live we are allowed out locally for exercise so I’ve been going out for walks along the river to photograph and video the birds that can be found there. This is the third time I’ve tried to video wildlife and it is very hard.I don’t work from a hide so I have to set up quickly and quietly and often the birds will move on before I can get filming. Shooting mainly just after dawn or just before sunset has meant using high ISOs and made focusing difficult. But, the more you do it the better you get. The purpose of the video was to make something, learn something new and help keep me thinking positive thoughts during this time.
Just out of interest I’ll put the stills up below. They were shot on either a Canon EOS6d with the Sigma 150-600mm f4.5-6.3 Contemporary lens or the Olympus OMD EM1 mk ii with the Panasonic Leica 100-400mm f4-6.3 lens. I wonder if you can tell the difference at web size without enlarging to 100% or checking the EXIF data?
A review of the Sigma 16mm f/1.4 DC DN lens for m4/3
I’ve said many times on this blog that my favourite focal length is 35mm (35mm equivalent) which give a diagonal angle of view of 63.4º To me it is a relaxing normal view, I find 50mm a bit too tight and 28mm a bit too “loose”. So when I migrated from so-called full frame to micro four thirds in 2010 one of the first lenses I bought was the Olympus m.Zuiko 17mm f2.8 pancake lens. Actually at the time there were only three lenses in the system the 17mm, a 14-42mm kit lens and the 40-150 telephoto kit zoom and I ended up getting them all.
The 17mm was equivalent to 34mm in in full frame terms and has a diagonal angle of view of 65º, so close enough as not to make any real difference. It wasn’t a well received lens despite being what initial advocates of the micro four thirds said they wanted – pancake lenses. It’s slow maximum aperture of f2.8, slow and noisey auto focus combined with less than stellar optical performance put many people off and they went for the much more expensive Panasonic 20mm f1.7 which had the virtues of being optically better, and having a faster maximum aperture. It still wasn’t great in the AF department though. But hey these were the early days of mirrorless technology and AF systems were not very quick and accurate then. But anyways I got the Olympus in a kit with my Olympus EP2 and I actually loved it. I could slip it mounted to the EP2 in my pocket which made it a great stealth camera combination and I used it to shoot my TransPerth-Transhumance project. I still use the lens today, mainly on my EP5. The area where I felt it was absolutely hopeless was video. The AF was too slow, too noisy (think angry wasp stuck in a jar) and I wanted a bit more subject isolation than the f2.8 aperture could give.
So fast forward a few years and I’m shooting more and more video and I decide to get myself a better 17mm lens. In the intervening years Olympus had produced the very favourably received 17mm f1.8 and the eye-wateringly expensive f1.2 version. Panasonic had also come to the party with their Panasonic Leica Summilux 15mm f/1.7 lens. In fact I went to my local (if you can call 110Km away local) camera dealer to buy this lens and it was always out of stock which made me want it even more. But in the end I went for an outlier in the form of the Sigma 16mm f/1.4 DC DN lens. The reasons being that f1.4 is faster than f1.9, it was cheaper than the f1.2 and the difference between f1.2 and f1.4 is slight, and my dealer had it in stock. So what makes it and outlier? Well to put it bluntly it’s bloody huge. It has a 67mm ⌀ filter thread which compares to 37mm for the Olympus 17mm f2.8. It is bigger than the Olympus 12-40mm f2.8 and the Panasonic Leica 8-18mm f2.8-4 while being only a little shorter than the Olympus 75-300mm f4.8-6.7. The 16mm focal length equates to 32mm on full frame with a diagonal angle of view 68.1º so is a bit wider, but when used with the Panasonic G85 for 4K video this isn’t much of a problem as the camera crops in slightly. So how come this lens is so lardy I hear you all ask. Well this lens wasn’t designed for micro four thirds, it was initially designed for the Sony 6000 series cameras with an APS sized sensor where it equates to being a 24mm in full frame terms. To get a wide angle lens that’s fast and a good optical performance means lots of glass and glass is heavy, and this lens is large and heavy for APS format cameras. To get some additional return on their investment Sigma decided to offer the lens in micro four thirds mount hence it seeming a funny focal length and being bigger than necessary.
Olympus 17mm f2.8
Sigma 16mm f1.4
|Diagonal angle of view||65º||68.1º|
|Optical construction||6 elements in 4 groups||16 elements in 13 groups|
|Diaphragm||5 rounded blades||9 rounded blades|
|Minimum focusing distance||20cm||25cm|
|maximum magnification ratio||0.11x||0.07X|
|Dimensions||⌀ 57mm x 22mm (H)||⌀ 72.2mm x 92.3mm (H)|
In the hand the Sigma 16mm feels very dense and substantial. The lens body is made out of what Sigma calls a Thermally Stable Composite (TSC) which is substantially stronger than conventional polycarbonates while having similar thermal expansion properties to aluminium. The lens mount is made of chromium plated brass which should ensure a long life. The Sigma 16mm is advertised as being dust and splash proof but on closer reading of Sigma’s spec sheet there is only one seal and that is at the lens mount. The lens comes with a bayonet mount petal lens hood which has a ribbed grip to make attaching and detaching easier. While it is good that the lens comes with a hood it’s not the best implementation and feels quite insubstantial and can be fiddly to attach as it can foul and not lock home. There is a ribbed rubber focus ring of the fly by wire type – it feels smooth and easy to use. There are no other controls or switches which means if you want to switch between AF and manual focus you will have to use the camera controls for that.
The Sigma 16mm has an optical construction of 16 elements in 13 groups with 3 FLD (“F” Low Dispersion) glass elements, which offers performance equivalent to fluorite which exhibits less chromatic aberration than those utilising a traditional flint glass. There are 2 SLD (Special Low Dispersion) glass elements which also help to minimise chromatic aberration and 2 ASPH moulded glass aspherical elements which work to reduce optical aberrations. According to Sigma’s website the ASPH elements are polished with a tolerance of under 10 nanometers or 0.000001 millimetres which according to Sigma reduces onion ring bokeh.
In terms of autofocus the stepping motor is fast and accurate and very smooth when shooting video. I tested the lens on the OMD EM1 mk ii which has on sensor phase detect AF and on the Panasonic G85 which uses DFD technology – a variant of contrast detect auto focus that requires the lens to provide a profile to the camera to ensure fast and accurate AF. The Sigma does not have such a profile as these are limited at present to only Panasonic’s own lenses. Despite that there were no problems and I could detect no discernible difference between the Olympus and the Panasonic. The only downside in the AF department is that I can’t use the Pro Capture Low setting which gives up to 18 fps with auto exposure and AF tracking. This is no fault of Sigma’s as the option is only available with Olympus lenses.
Optically – well straight from the get go the Sigma is impressively sharp wide open corner to corner. The performance improves slightly (and it is only visible on my 4K screen at 300%) as you stop down. Diffraction sets in at f16 and this does soften the image. In terms of chromatic aberration, well wide open in high contrast situations it is apparent albeit slight and it is easy to correct in post. The lens is reasonably resistant to flare – but if you have a specular light source in the frame you will experience some veiled flare and ghosting. If you turn off the built in lens profile you can observe a slight barrel distortion, but switch on the profile and it is not visible. The bokeh balls this lens produces are more or less round when shooting wide open even at the edges of the frame and the transitions are nice and smooth. There is some onion ring bokeh which is the result of using moulded aspherical lens.Vignetting is not a problem and is very slight in the region of 1/2 stop.
Being designed to have an image circle much larger than micro four thirds requires means that you are using the best performing part of the lens and this really shows. Just for giggles I compared the Sigma with my old Olympus. The Olympus is noticeably soft in the corners at all apertures and just average in the centre. It suffers badly from chromatic aberration. Vignetting is very apparent, in excess of 1 stop in the corners with the lens profile switched on and getting on for 2 stops when switched off. Physically, optically and figuratively the Sigma stands head and shoulders above the little Olympus. The only area where the Olympus wins out is its small size and that is why I’ll continue to use it when I want something small and compact. For every other occasion I’m reaching for the Sigma. The knock on effect is that I’m seriously wondering about replacing my Olympus 45mm f1.8 with the Sigma 56mm f1.4.
Over the last few days my FaceBook feed has been seeing some seriously tasty bird photos from one of the groups that I belong to. The photos all come from one area – New Victoria Dam which is 30Km east of Perth on the Darling Range in Korung National Park. So when the Beloved Significant Other (BSO) announced she was competing in a croquet competition at a location just 20 minutes drive away I immediately volunteered myself as driver.
There are two starting points to the walk and which you choose will largely depend upon when you visit. If you visit outside of office hours Monday to Friday or anytime at the weekend then y ou have to use the upper carpark as your start point as the access road is shut. During office hours you can drive down to the lower carpark keeping in mind that if stay till after 5pm then you won’t be able to drive out. I started at the upper carpark which only adds 800m each way to the walk. The walk consists of a 7Km round trip down past the New Victoria Dam to the Old Victoria dam wall and the garden and picnic area. There used to be a path through the trees at the edge of the road but it has become quite overgrown and indistinct so you are best walking along the access road. As you walk down the road on your left is the gravesite of Francis Weston who died in 1876 aged two days, his parents lived in the timber workers settlement at Bickley. When you get to the lower carpark walk through it and then follow the trail markers. After walking through the forest you come to New Victoria Dam. Walk down the steps and at the bottom turn right onto the road and walk down to the remains of the Old Victoria Dam.
The original dam was built in 1891 and pumped water via pipelines to Kings Park and a reservoir there on Mount Eliza. The dam became the first permanent water source for Perth and was operated by the private City of Perth Waterworks Company. As the water catchment area took in agricultural land and timber settlements there were fears that it would be polluted by raw sewage and excrement from livestock. Between 1895 and 1900 typhoid broke out in Perth and 425 people died. The water was tested and found to be contaminated so the government took control and made changes to prevent re-occurrence. By 1988 the concrete structure was beginning to degrade to such an extent it could no longer be repaired so in 1990 work on the new dam commenced and because of the use of roller compacted concrete it was completed by the following year. It can hold 9.5 million kilo-litres and is used to supply drinking water to Kalamunda and Lesmurdie.
In the lee of the old dam there is a grassed picnic area and toilets. Thickets of ti-tree and one-sided bottlebrush or claw flower have been planted and the thick vegetation along the creek line provides dense cover for a number of bird species. On this trip I used the picnic gazebo as an impromptu bird hide and spent a couple of hours watching the various birds feed and drink. I saw red-eared firetails, mistletoe birds, splendid fairy wrens, western spinebills, new holland honeyeaters, white faced herons and rosellas. The dam spillway feeds water to the pond and creek that provides a year round water supply which means that the birds are always active all here. If you are there at dawn or dusk then kangaroos can be seen feeding on the grass. It is a great little spot and doesn’t require too much effort to get there.
…. er that should read busy rainbow bee eaters.
Walking down by the Avon this morning there was a lot of commotion. A steady “prrrp-prrrp” sound followed by a flash of bright colour. Scanning the trees I found what I was looking for in the branches of a big old dead gum tree. A male rainbow bee eater bashing a large insect on the branch till it was dead so it could take it to its young brood. On further inspection I noticed that there was a holding pattern going on with mum and dad taking it in turns to take food to their ever demanding young.
A further shufti and I find the burrow and settle myself in to watch the parents fly in the food supplies. It was non stop, no let up at all. First off we see dad make a trip.
As soon as he is clear it’s mum turn.
All pictures taken with a Panasonic Lumix G85 with Panasonic Leica Vario Elmar 100-400mm f4-6.3 lens.
Below is a short video clip containing footage of the birds and some more stills.
The last few mornings dog walks have been spiced up by some very territorial brown goshawks. As we walk along the river and then down onto the river bed we can hear them calling and chattering. It then goes quiet for a second or so and then there is a loud whoosh as you are buzzed from behind. As the bird passes overhead you can feel the air current generated by its wings. At first I thought the birds were objecting to the dog but I and this pattern persisted for about a week. But then something happened that disabused me of that notion – my hat suddenly became the victim of a bird of prey. The last time it happened they managed to knock it off my head. I’m beginning to think my bicycle helmet may be more appropriate headwear.
We have at present three bob tailed lizards (Tiliqua rugosa) living in the back garden. There’s Big Bob – he’s big male who must be very old judging from the size of him. He’s been here the longest and when he got sick with bobtail lizard flu one winter a couple of years ago we had him inside the house to help him get over it and then tucked him up under a pile of leaves for the remainder of the winter. Just a couple of weeks ago I heard this thrashing about under the sofa on our back patio and when I went and looked it was Big Bob mating with a smaller sleeker female who I called Mrs Bob (hey I can’t be stunningly original all the time!). They are unlike other lizards monogamous and give birth to live young so we’re looking forward to the new arrivals. Little Bob made an appearance on the patio this morning, he’s significantly smaller than the other two so I guess he’s not very old. They are omnivores and very partial to fruit – strawberries being a favourite – so I sliced up a cherry tomato and he/she scoffed the lot very quickly. As they also eat snails and insects I’m hoping that having three of them will mean that they keep the garden pests down. There’s also a bit of an old wives tale that says if you have one in your garden it’ll keep snakes away. I dunno if it’s actually true or not, but having three has got to be good.
Tomorrow here in Western Australia is the first day of spring. I don’t think Mother Nature got the memo as the bush around York sprung into life a couple of weeks ago. Flowers are bursting into bloom and the birds are in a frenzy of nest building and dancing around trying to attract mates. This means that I have also sprung into action trying to document as much of thais activity as possible. The cameras are working over time.
Yup – you’ve guessed it. Spent another day loitering in the alleyways of Perth. Saw it as a good excuse to give the Sigma 16mm f1.4 DC DN lens in micro four thirds mount a good workout.
* Today’s musical reference is a bit obscure. It is the theme tune for the 1972-3 British TV series “The Protectors” and was sung by Yorkshire lad Tony Christie. It was produced by Gerry Anderson of Thunderbirds fame and was only his second production using real people as opposed to the puppets he was famous for, and his only production that wasn’t scifi. It was sponsored by Brut the aftershave people which explains a lot looking back at it.
This was the opening titles:
This was the closing credits with the lyrics: