We all love a bargain and what better bargain is there when it is absolutely free? There’s no doubt about it – photography can be an incredibly expensive pastime. The cost of a pro body, the so-called holy trinity of 2.8 zooms, and some fast primes could pay for you to do a degree or buy a good car. The real kicker is that as soon as the latest models come out your kit is “made” redundant and stops taking good photos so you have to do it all over again. Insane isn’t it? Well I have the answer for you and it won’t cost a single penny. Actually I have to confess that I didn’t devise this myself, a clever Hungarian bloke by the name of André Friedman is responsible for it and it goes like this:
“If your pictures aren’t good enough, you’re not close enough.”
Mrs Friedman’s little boy changed his name to Robert Capa because he felt having an American sounding name would earn him more money (it did), he went on to found the famous photo agency Magnum (so named after the size of champagne bottle he was fond of buying), one of the most famous and highly regarded conflict photographers in the world, and one that is arguably the most controversial as many believe that his most famous works are fakes. Chris Boot in his excellent book “Magnum Stories” (and I would recommend any serious photographer to at least read this book or better still buy it) wrote:
“Capa’s photography is all about being there, close. His art lay in risking where to be and when, in how he built and conducted the relationships that enabled him to be there, and in how he shaped and presented the narrative of events he witnessed.”
Boot, Chris; Magnum Stories p.66. Phaidon, New York 2004.
So does it mean that we all have to pack our bags and head for the nearest God forsaken war zone just to get some decent photos? Have no fear gentle reader we at Paul Amyes Photography (PAP) know that pain hurts and death can be fatal and so prefer to find our photographic subjects in safer environments. So what was Capa on about? Well firstly you should be in close proximity to your subject so that it fills the frame. There are times when the subject (i.e. wildlife or sports) may dictate that you use a long lens, but the principle still holds true position yourself so you can fill the frame. Generally the most drama can be had by using wide angled lenses and filling the frame. It gives impact and intimacy. While speaking of intimacy get to know your subject really well and look to capture a side of it that isn’t so well-known. It may be necessary to find people who can help you gain access to a subject and that these relationships may need to be cultivated over a period of time so you can build trust. For quite a while I followed the rodeo circuit around in Western Australia. I just didn’t want the standard pictures of the participants in the ring, I wanted to get behind the chutes to where the contestants got ready. I wanted to experience and so record the emotions that they felt – the tension, the elation, the sense of relief, and the disappointment. It took a lot of emails, phone calls, and offers of photos for publicity to get there, but it was so worth it. Some photographers choose to live like their subjects in order to get that closeness. Magnum photographer Antoine d’Agata is one such photographer. He photographs people on the margins of society such as sex workers and drug addicts and he participates fully in their world.
“It’s not how a photographer looks at the world that is important. It’s their intimate relationship with it. ”
His work is confronting to say the least and his approach may and subject matter may not be to everyone’s taste but the images are arresting and powerful.
So improving your photography considerably won’t require you to spend a penny on equipment, but it will cost you in terms of time, commitment, and perhaps a bit of courage.
As a middle-aged bloke taking pictures of kids in public is fraught with difficulties, but in situations such as this you just have to summon up the courage and ask the parent.
This young cowboy is nervously waiting behind the chutes for his turn in the bull riding competition. Forming relationships with the organisers of the rodeos was the only way I was going to get access to these moments.