Moody Monochrome

Much is written about “Tasmanian Gothic” – a dark soberness that has its roots in the landscape and the colonial history. Personally I’m not a fan as I feel it colours much of modern-day Tasmania and restricts progress. But, there is no doubt that the weather and the landscape do particularly suit black and white or monochrome photography.

Beached
Wooden tender beached at Pirates Bay, Tasmania. Canon EOS 5D with Canon EF20mm f/2.8 USM lens. Exposure: 1/30 s at f/16.0 ISO 100

When I worked with film I loved the whole process for black and white photography. Picking a film and developer combination, then choosing a paper and then finally whether to tone the image or not. The whole process was magical and working in the darkroom, whether it was a commandeered bathroom or a purpose-built one was like a going back to the womb to create something wonderful. Admittedly an awful lot of the time I seemed to turn out a lot of dross, but it was an enjoyable process. To misquote  Kilgore’s eulogy in the Coppola classic film Apocalypse Now “I love the smell of fixer in the morning,”.

Kite Surfing #3
Kite surfing off Park Beach in Tasmania. Olympus E-M10 and OLYMPUS M.75-300mm F4.8-6.7 II lens. Exposure: 1/1600 s at f/6.3 ISO 200.

I would love to work with black and white film again – but living with a rainwater tank for our supply and with a septic tank for waste water management means that I cannot develop film at home and there are no labs in Tasmania that develop the film. So for now it is the digital option, which is not as magical and mystical as the darkroom, is in its own way just as satisfying. No longer following the Zone System laid down by St Ansel, I now expose to the right (ETTR) to get the maximum amount of tonal information in my RAW file and then process in Lightroom. The final black and white conversion is done in NikSoft’s Silver Efx Pro 2, which is always done the same way and mimics what I used to get with Ilford Delta 400 developed in Rodinol and then printed on Ilford FB Warmtone Multigrade paper. My Canon Pixma Pro9000 does a fantastic job of monochrome printing on Harman Gloss Baryta Warmtone. I’ve done two exhibitions using this combination and been delighted with the results.

Murdunna Moorings
Yachts moored on King George Bay Murdunna, Tasmania. Canon EOS 5D with Canon EF28-135mm f/3.5-5.6 IS USM lens. Exposure: 1/640 s at f/11.0 ISO 800.

Thankfully working digitally means that we can work in both colour and black and white at once, just making the decision of which way to go at the time of processing. It is a great time to be a photographer.

As always clicking on an image will take you through to my online gallery.

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